Sunday, 11 June 2017


This article was originally published in The Dundee Courier on 10 June 2017.

ACKLEY BRIDGE: Wednesday, Channel 4


If, by the time you read this, the Conservatives are still in power, cheer yourself up by picturing a typical Daily Mail reader being appalled by ACKLEY BRIDGE. You have to seek small comforts wherever you can find them.

This new pre-watershed comedy-drama from Channel 4 depicts the merging of two hitherto segregated comprehensive schools in a Yorkshire mill town. An uneasy marriage of white and Asian communities ensues, although the mild tension between the two factions is based more on mutual unfamiliarity than actual prejudice.

Kids are used to multiculturalism, it doesn’t bother them, but they do love their established cliques.

The sympathetic, irreverent tone was set by an opening scene in which two teenage girls, one white, one Asian, drank cider and quoted Einstein while sat on a sofa discarded in a skip. These kids are mouthy yet bright and for the most part likeable. Their teachers are young and progressive, but with problems of their own. 

Ackley Bridge has more in common with the modern academy from Channel 4's own heart-warming and tacitly political documentary hit Educating Yorkshire than the bland melodrama of Waterloo Road.

So far the dominant storyline involves those aforementioned girls, best friends since childhood, suddenly finding themselves caught between groups from different cultural backgrounds. The white girl struggles with her drug-addicted mother, while her friend attempts to placate the judgemental gossip of her female Muslim peers.

No one is presented as a villain. It feels like an honest exploration of contemporary playground drama.

The white lad who espouses dubious UKIP doggerel is portrayed as eloquent yet confused. An aggressive cameo from his father suggested that this ambiguous lad is a disenfranchised victim of prejudice he’s picked up at home – prejudice he doesn’t fully understand.

Given its state-of-the-nation themes, Ackley Bridge could all too easily descend into well-meaning earnestness. Thankfully, it’s rescued by an astutely balanced lightness of touch which doesn’t undermine its essential sincerity.

Early days, of course, but I feel cautiously optimistic that Channel 4 have produced a thoughtful, accessible mainstream drama that should appeal to its potentially core audience of open-minded teenagers and adults.

If, into the bargain, it upsets the most awful people in the country, that can only be a good thing.

Conservatives still haven’t forgiven the ‘60s counterculture for impregnating western society with its filthy Marxist Commie creed of peace, love and equality.

That original hippie protest movement fomented a vigorous mistrust of powerful elites and a growing awareness of environmental issues. It encouraged people to question the motives of politicians, the police and the media, to expand their horizons and support social change.

They may have failed to overthrow capitalism and put an end to war, but those stoned idealists triggered a cultural revolution of incalculable influence on subsequent generations. Not bad for a bunch of flower-munching longhairs.

In the excellent two-part documentary THE SUMMER OF LOVE: HOW HIPPIES CHANGED THE WORLD, an eloquent throng of ageing American radicals reflected on the Age of Aquarius with a candid mixture of nostalgia and regret.

They reminded us that, despite its egalitarian optimism, hippie ideology was underpinned with anger and anarchy. Critics dismissed them as naïve dreamers, but these tie-dyed kids were deadly serious.

Their heady stew of radical politics, rock music, eastern philosophy, organic living and hallucinogens did, for one brief, exciting moment, feel like the gateway to a better tomorrow.

It couldn’t last, of course, at least not in the form of a mass movement. Drug problems, internal hypocrisy, commercialisation and brutal government crackdowns quickly saw to that.

Yet as long as freedom of expression and alternative viewpoints are permitted in the mainstream, their legacy endures.

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