This article was originally published in The Big Issue in April 2025.
Yoko: A Biography, David Sheff, out now, Simon & Schuster, £19.03
She’s also one of the most unfairly vilified public figures in living memory, a woman who for decades was forced to endure a vile torrent of racist and sexist abuse for the alleged crime of breaking up the Beatles.
These days, only an ignorant minority of people (mostly men) still cling to that patently untrue opinion, but the rehabilitation of Ono as an important and respected artist in her own right was a long time coming. David Sheff’s Yoko: A Biography crowns that process.
It studies her life and work in the depth it deserves while authoritatively dismantling numerous scurrilous falsehoods. By the end you’ll have renewed admiration for this often misunderstood human being.
Sheff and Ono became close friends after he interviewed her and John Lennon in 1980, and his prologue emphasises that he’s fully aware of the potential conflict of interest when it comes to telling her story honestly. To his credit, Sheff hasn’t written a hagiography. He’s on Yoko’s side, quite rightly, but never ignores her flaws (at worst she could be weirdly naïve and occasionally self-absorbed).
Ono, who is 92, retired from public life a few years ago. She takes centre stage via archive interviews and perceptive contributions from loved ones such as son Sean and daughter Kyoko.
The most revealing chapters are devoted to her early career as a provocative avant-garde artist; Lennon’s infamous ‘lost weekend’ told for the first time from her perspective; and the harrowing aftermath of Lennon’s murder.
Sheff stresses that Ono was in a state of almost catatonic grief during that unimaginably awful time. For years afterwards, she received death threats from cranks while being betrayed by confidantes out to make a fast buck. Simultaneously, ill-informed critics continued to drag her name through the mud.
That she managed to survive so much trauma is testament to her incredible strength and resilience. And that above all else is what Sheff captures here: Yoko Ono is a survivor. And she rocks, hard.
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