SHERWOOD + THE REAL DERRY: JAMIE-LEE O'DONNELL + THE OUTLAWS

This article was originally published in The Courier on 11th June 2022.

NEXT WEEK’S TV

Sherwood – Monday and Tuesday, BBC One, 9pm

This compelling six-part drama is a work of fiction inspired by two murders which took place in the Nottinghamshire mining village where its author, James Graham, grew up. 

It’s an intelligent, thoughtful piece, a carefully constructed whodunit fuelled by the long-lasting effects of Thatcherism and the miner’s strike on working-class communities. 

The outstanding cast includes David Morrissey as a senior police officer who is determined to win back the public’s trust, Alun Armstrong and Lesley Manville as happily married, doting grandparents, and Joanne Froggatt as a local Tory councillor who isn’t exactly in tune with the political outlook of her constituents. The series begins on her wedding day. 

You may find yourselves hooked from the get-go.

Tiny Lives – Monday, BBC One, 8:30pm

A tender document ensconced within the University Hospital Wishaw’s neonatal unit, Tiny Lives returns for more affecting stories about prematurely born babies. 

Alfie is just six hours old. His mum had an emergency caesarean after Alfie showed signs of distress in the womb. He’s in critical condition, a ventilator is keeping him alive. The hospital’s dedicated team are on constant standby, he’s in good hands. 

Alfie was born at the height of the pandemic, when the NHS were stretched to their absolute limits. The series pays tribute to their tireless efforts; decent people doing everything in their power to save lives on a daily basis. One particular nurse devotes her entire 12-hour shift to an infant placed in isolation.

The Savoy – Wednesday, STV, 9pm

The latest series of this observational hoopla reconvenes with London’s luxurious Savoy Hotel as it opens its doors post-pandemic. 

The owners are in dire straits, they have to recoup millions of pounds of lost revenue. So thank God for Gordon Ramsay, who barges in with ambitious plans for his very first seafood restaurant. 

Say what you like about Ramsay by all means, but that will at least create new job opportunities for some deserving chefs. Meanwhile, we’re treated to some heavy-hitter celebrity dining cameos from Christopher Biggins and Shirley Ballas. 

The whole thing is an unquestioning celebration of wealth. This preview was typed through gritted teeth, which is quite a physical feat if nothing else.

The Real Derry: Jamie-Lee O’Donnell – Thursday, Channel 4, 10pm

Timed to coincide with the 50^th anniversary of Bloody Sunday, this documentary follows the Derry Girls actor as she reflects upon life growing up during the last few years of The Troubles. 

O'Donnell is a devoted Derry girl who wants to find out more about the complex history of her community. 

I haven’t seen this programme, preview copies weren’t available, but I reckon I can probably vouch for it in good faith. O’Donnell speaks to young people growing up in Derry today, kids who by and large have no truck with sectarian prejudices. 

According to the press blurb, it will provide viewers with some hope for the future of Northern Ireland.  O’Donnell is a smart person, she’ll do this justice.

Devon and Cornwall – Friday, Channel 4, 8pm

John Nettles’ bombastic narration during this otherwise genteel series is one of the funniest things on television. It’s a delicious chunk of pure uncut ham. Wonderful. This week, Nettles wraps his rich rococo tones around another set of everyday Devon and Cornwall stories. 

We meet woodsman John and his daughter Betsy as they attempt to revive and maintain a lost tradition – sculpting stave baskets from ash. Meanwhile, two friends put their fairly ancient powerboat through its paces ahead of a big race, and a hotelier/fisherman sets out to sea to haul in his lobster pots. 

Devon and Cornwall is a perfectly pleasant programme, and I’m sorry if I’ve ruined it by drawing attention to Nettles’ Matt Berry-esque theatrics.

Brian Cox: Seven Days on Mars – Friday, BBC Two, 9pm

Is there life on Mars? I’m inherently suspicious of questions that even David Bowie couldn’t answer, but you can’t deny the basic pleasure of watching Professor Brian Cox (sort of) fulfilling a childhood dream during this programme. 

He spends an access-all-areas week in NASA’s Jet Propulsion Laboratory as it continues its exploration of the surface of Mars. 

42 years ago, young master Cox wrote a letter to the JPL asking about their pioneering deep space missions. The reply he received set him on the path to becoming a physicist. 

Cox follows the JPL during one of their most ambitious projects to date: navigating Martian terrain via the first powered aircraft we have ever sent to another planet.

Avoidance – Friday, BBC One, 9:30pm

Romesh Ranganathan co-writes and stars in this likeable comedy drama about Jonathan, a newly separated man struggling to come to terms with his situation. He can’t accept it, hence that title. 

Jonathan is a nice guy, but his glib passivity is exasperating. No wonder his partner finally gave up on him. He’s never depicted as some sort of hapless victim, a romanticised sad-sack hero. This isn’t a simplistic vanity project a la Ricky Gervais’ After Life. It’s drily amusing and warm-hearted. The underlying pathos is kept in check, it never descends into sickly sentimentality. 

Also, Ranganathan, a stand-up by trade, is an entirely natural actor. Avoidance began last week; catch up with episode one on iPlayer.

LAST WEEK’S TV

The Outlaws – Sunday 5th June, BBC One

Series one of Stephen Merchant’s appealing comedy drama about a mismatched gang serving community service in Bristol was a deserved hit. And now it’s back. Episode one wasted no time at all, it jogged our memories and got on with the story. 

Merchant is a talented screenwriter with an obvious love of classic romantic comedies and thrillers. The Outlaws is basically a Scorsese film shot through the prism of Ealing Studios. The characters are sympathetic and rounded, they’re recognisable ‘types’ with flesh on their bones. 

It succeeds on its own sweet terms: a heartfelt character piece disguised as a crime drama. Merchant ensures that we care about the plight of these fictional constructs. It's a fine-tooled piece of entertainment.

Everything I Know About Love – Tuesday 7th June, BBC One

This isn’t a complaint, just an observation: in the last few years, TV execs have commissioned a notable surge of semiautobiographical coming-of-age dramas set in the fairly recent past. The ‘90s up until the early ‘10s to be exact. 

That's an inevitable development. The commissioners, many of them in their late thirties/forties, are drawn to stories which reflect their own formative experiences. So here’s the latest one, set way back in 2012. 

It follows a group of mid-twenties female friends who’ve just moved to hipster Camden. Don’t let that premise put you off, it’s not smug or annoying at all. It’s a sharp, funny, charming and self-aware meditation on youthful friendships and infatuations.

LUCY WORSLEY INVESTIGATES + TROY DEENEY: WHERE'S MY HISTORY? + INSIDE NO. 9

This article was originally published in The Courier on 21st May 2022. 

NEXT WEEK’S TV

Lucy Worsley Investigates – Tuesday, BBC Two, 9pm

Worsley’s latest series is a characteristically vivid and engaging odyssey in which she challenges the received wisdom surrounding “some of the most dramatic and brutal chapters in British history.” 

Episode one finds her poring over ancient accounts and recently unearthed clues about Britain’s 17^th century witch hunts. It’s an awfully bleak yet fascinating subject. Worsley breathes life into women who were tragically persecuted during an epoch poisoned by violently deranged religious fervour.  

Worsley’s essays are sometimes tinged with whimsical humour, a little bit of light to offset the shade, but she’s on deadly serious form here. There is no room for levity. It’s a disturbing cold case investigated with commendable care and rigour.

Troy Deeney: Where’s My History? – Monday, Channel 4, 10pm

The professional footballer Troy Deeney continues his dedicated stand against structural racism in this informative documentary. 

Education is key, that’s Deeney’s driving point. A more expansive account of black history needs to be embedded within the UK’s school curriculum. British children have to learn about a whole range of ethnic minority role models. A few well-meaning lessons devoted to the likes of Martin Luther King and Rosa Parks aren’t enough. That just won’t do. 

“Learning about the positive contributions black people have made to society will not only empower black pupils,” says Deeney, “but will help stamp out the vile racist abuse me, my family and people of colour as a whole are subjected to.”

Bake Off: The Professionals – Tuesday, Channel 4, 8pm

I don’t understand the appeal of these cake-based programmes, but to each their own. Enjoy what you like, just as long as no one gets hurt in the process. If this column has a message, it’s probably that. 

Anyway. You know the formulaic score: various patisserie artisans compete for Bake Off glory. In round one they have just three hours to create 36 strawberry frasiers. As soon as that challenge was announced I immediately envisioned several full-sized glazed effigies of the actor Kelsey Grammer. That’s because I’m inherently facile. The results don’t live up to my stupid imaginings. Life is a constant disappointment. 

Genuine plus point: the delightful Stacey Solomon is your new co-host.

State of the Union – Tuesday, BBC Two, 10pm

Series two of this anthology drama, which is written by Nick Hornby and directed by Stephen Frears, unfolds as before in snappy ten minute exchanges between a troubled married couple.

Ellen (Patricia Clarkson) and Scott (Brendan Gleeson) meet in a hipster New York coffee shop. It’s a fraught encounter. 

Clarkson and Gleeson are both fine actors, but Hornby’s screenplay is terribly mannered. His writing draws attention to itself in a self-congratulatory way. It makes the dialogue of that insufferable blowhard Aaron Sorkin sound like Shane Meadows at his rawest. Ellen and Scott never come across as real people, they’re just mouthpieces for Hornby’s sub-screwball waffle.

It’s a long ten minutes. Oh well. Other television programmes are available.

Inside No. 9 – Wednesday, BBC Two, 10pm

The best episode of this particular series thus far, ‘A Random Act of Kindness’ is a sad domestic drama that veers off in entirely unexpected directions. 

The excellent Jessica Hynes stars as Helen, a tired, lonely, middle-aged woman trapped in an unhappy relationship with her angry teenage son, Zach. One day, a small bird crashes into Zach’s bedroom window. 

The injured animal is rescued by Bob (Steve Pemberton), a kindly passing stranger with a peculiar linguistic quirk who gradually forms a friendship with Helen and Zach. Reece Shearsmith plays a significant supporting role, as do the laws of physics (that’ll make sense when you watch it). 

This is Inside No. 9 in primarily serious and poignant mode. It lingers.

Grayson’s Art Club: Queen’s Jubilee Special – Wednesday, Channel 4, 10pm

Now, you wouldn’t expect Grayson Perry to be much of a royalist. And you’d be right. But he’s fascinated by the monarchy and all the complex things it represents. The Queen in particular is an artist’s dream. Her image and the iconography that surrounds her can be used in all sorts of interesting ways. 

In this typically thoughtful edition of his Art Club, Perry and his wife Philippa invite talented amateur artists to create their own symbolic renderings of Her Majesty. “Whatever they might tell us about her,” says Perry, “might also tell us some revealing things about ourselves.” 

His celebrity guests are Harry Hill and Prue Leith, but as always the real stars are those creative members of the public.

PRU – Thursday, BBC Three, 10pm

This new sitcom follows a bunch of teenagers as they attempt to navigate their way through everyday life at a Pupil Referral Unit, otherwise known as a school for excluded kids. 

Series creators Alex Tenenbaum, Nathaniel Stevens and Teddy Nygh have created something here that’s clearly borne of research and experience. It’s a sympathetic piece of social commentary, albeit one that doesn’t draw self-conscious attention to its fundamentally serious themes. 

The young multicultural cast are entirely convincing, and the writing is quite sharp at times. Will you bust a gut laughing? Probably not. But PRU is a likeable show populated by intriguing characters, and the premise alone makes it worthy of consideration. It has some potential.

LAST WEEK’S TV

Conversations with Friends – Sunday 15th May, BBC Three

BBC Three’s adaptation of Sally Rooney’s Normal People was one of the best TV dramas of recent years. This adaptation of Rooney’s debut novel is brought to you by the same team. It will almost certainly repeat the success of their previous endeavour. 

The protagonist is Frances, a bright, shy, slightly awkward young woman who performs spoken-word poetry with her more extroverted best pal and ex-girlfriend Bobbi. Complications arise when the duo enter the orbit of a successful author. Frances falls for her handsome actor husband. Bobbi is attracted to his wife. 

As per Normal People, this is a perceptive and emotionally resonant piece of work in which everything rings true. It cuts deep.

Derry Girls – Tuesday 18th May and Wednesday 19th May 19, Channel 4

“There’s no answer to any of this, is there?” 

With that line spoken by Michelle, Lisa McGee pretty much summed up the underlying point of her justly lauded sitcom about Northern Irish teenage friends living through the final years of the Troubles. 

Her two-part farewell didn’t disappoint. Derry Girls was first and foremost a knockabout farce. The characters were daft and endearing. But McGee never lost sight of the sombre background details, even while she was making us laugh. She judged it all astutely. 

The final episode, which revolved around the signing of the Good Friday Agreement, brought her emotions to the fore in an entirely earned way. Sweet, silly and quietly profound; a perfect ending.

DERRY GIRLS + HOUSE OF MAXWELL + WORLDS COLLIDE: THE MANCHESTER BOMBING

This article was originally published in The Courier on 9th April 2022.

NEXT WEEK’S TV

Derry Girls – Tuesday, Channel 4, 9:15pm

The third and final series of Lisa McGee’s semiautobiographical sitcom begins with the gang nervously awaiting their potentially life-changing GCSE results. Such is their anxiety, they impetuously decide upon an unwise course of action. Inadvertent criminality ensues. 

Derry Girls is Channel 4’s most popular comedy since Father Ted, and you can easily see why. It’s warm, funny, charming and truthful, a perfectly cast sitcom set against a tumultuous backdrop which, thanks to McGee’s deft writing, never once strayed into sentimental or earnest territory. 

This particular episode returns to the underlying theme of sectarianism, but typically in a way no one could ever find offensive. Well, apart from the 1990s Derry police force perhaps. Also, two words: surprise cameo.

House of Maxwell – Monday, BBC Two, 9pm

And the awful plot just thickens. Episode two of this disturbing series begins with the discovery of Robert Maxwell’s drowned body. His distraught daughter Ghislaine, who has hitherto maintained a low public profile, speaks to the world’s assembled press. 

Meanwhile, panicked executives within Maxwell’s empire are finally free to investigate suspicious holes in their company finances. An intrepid young journalist is also on the case. Maxwell is eventually exposed as a monstrous fraudster. 

The programme also traces Ghislaine Maxwell’s emergence as a schmoozing socialite with friends in high places. One of her new cohorts is the mysterious multimillionaire Jeffrey Epstein. 

A miasmic saga populated by truly despicable people, House of Maxwell triggers strong feelings of anger and despair.

Worlds Collide: The Manchester Bombing – Monday and Thursday, STV, 9pm

On 22^nd May 2017, a British-born terrorist detonated a suicide bomb at the Manchester Arena. He killed 22 people and injured more than 1,000 others. 

This two-part documentary pays moving tribute to the victims and survivors. It’s also a damning critique of Greater Manchester Police, who were allegedly responsible for a chaotic breakdown in communication which impeded the emergency services. More lives could’ve been saved. 

These programmes also investigate the background of the bomber, a young man from Manchester, and attempts to explain how he came to be radicalised. MI5 had flagged him up as a potential threat to national security, and yet he somehow went on to commit this atrocity. 

The message is clear: it could’ve been prevented.

Hullraisers – Tuesday, Channel 4, 9:45pm

Channel 4’s Tuesday night comedy power hour continues after Derry Girls with this new sitcom co-created by Lucy Beaumont (Meet the Richardsons). 

Set in her hometown of Hull, it revolves around Toni, a happily married yet frustrated thirtysomething mum who misses the wildness of her untethered youth. Toni’s best friends are a libidinous policewoman and a perfectly contented matriarch. 

The opening episode of every sitcom faces a tough climb. Over the space of 30 minutes it has to establish the premise, the characters and the various things that drive them. Hullraisers does a pretty decent job. It’s good-natured and amusing. The characters are sympathetic. A laugh riot? No. But mirthsome skirmishes are hard to come by.

Grand Designs: The Streets – Wednesday, Channel 4, 9pm

In this spin-off from Kevin McCloud’s stalwart lifestyle show, he visits an ever-expanding community of self-builders. Seven years ago, an Oxfordshire district council sold ten plots of land to members of the public. An ambitious architectural project ensued. 

Episode one focuses on Carlos and Maite. The latter has always wanted to build a grand house inspired by her rural Spanish homeland, but she has no formal design training. Nevertheless, McCloud is impressed by her elegant if somewhat risky vision. 

Fans of Grand Designs always look forward to those moments when the host regards his subjects with wry scepticism, bordering on contempt, but Maite is nobody’s fool. McCloud is even moved to describe her as a nonconformist pioneer.

Brickies – Thursday, BBC Three, 9pm

The building site fun continues in this sunny new factual series about a group of young British bricklayers. The main protagonist in episode one is Jeorgia. Laying bricks is in her blood, she learned everything she knows from her successful brickie father. 

Jeorgia lives with her boyfriend in a large static caravan situated on her parent’s land. She’s saving up to buy an expensive car. If Brickies teaches us anything, it’s that this is a potentially lucrative business. Just as long as you put the hours in. 

Jeorgia and her bantering colleagues are a nice bunch of kids. They all appear to be loving life, and no wonder. Working on the site from morning ‘til night, that’s living alright.

Taskmaster – Thursday, Channel 4, 9pm

Series thirteen of this genial harlequinade introduces another group of professional funsters intent on conquering daft tasks set by Greg Davies and his co-host Alex Horne. 

Your competitors this time around are Bridget Christie, Sophie Duker, Judi Love, Ardal O’Hanlon and Chris Ramsey. Highlights include their efforts to paint a portrait of Davies using only their lips – some of the finished products are actually quite impressive – and a task in which they get to lay down the ridiculous rules of a duel with Horne. 

In spite of its post-watershed slot, Taskmaster is wholesome fun for all the family. Channel 4 are aware of this, hence why they bleep out the swearing. It’s a big hit for good reason.

LAST WEEK’S TV

Thatcher & Reagan: A Very Special Relationship – Sunday 3rd April, BBC Two

Margaret Thatcher and Ronald Reagan were in power together throughout the 1980s. They were closely aligned in terms of political philosophy. And they apparently liked each other on a personal level. This series examines their union. 

It’s presented by Charles Moore, a former editor of The Daily Telegraph and Thatcher’s authorised biographer, so obviously it has a right-wing bias. Moore admires these people. But even a milksop hippie clown such as myself can appreciate the heft of this fascinating saga. It covers a tense and dramatic period in late 20^th century history. 

Moore’s interviewees include some of Thatcher and Reagan’s closest professional associates. Their candour is quite refreshing. I guess they have nothing to lose at this stage.

Pilgrimage: The Road to the Scottish Isles – Friday 8th April, BBC Two

This series has a straightforward remit: seven celebs with differing religious beliefs embark upon a 15-day hike of spiritual self-discovery. Among the seekers this year are Laurence Lewellyn Bowen (a Pagan), Nick Hewer (an agnostic), Shazia Mirza (a Muslim) and Scarlett Moffatt (a Christian). 

They’re following in the sandaled footsteps of St. Columba, an Irish monk revered for his pivotal role in the early development of British Christianity. The journey began in Donegal in the Republic of Ireland. Their final destination is St. Columba’s abbey on the Inner Hebridean island of Iona. 

It’s an entirely sincere and benign endeavour, a modest celebration of theological diversity. With a slightly One Show-esque celebrity angle, because, y’know, television. 

 

 

TV Review: McMAFIA + GIRLFRIENDS + DERRY GIRLS

This article was originally published in The Courier on 6th January 2018.

https://www.thecourier.co.uk/category/lifestyle/entertainment/tv-film/

McMAFIA: New Year’s Day and Tuesday, BBC One

GIRLFRIENDS: Wednesday, STV

DERRY GIRLS: Thursday, Channel 4

A monumental bore of global proportions, McMAFIA is a turgid crime drama which proves that it’s possible to surf a wave of hype while wearing concrete boots.

Two years ago, the BBC scored a direct hit with the similarly expensive The Night Manager. The only chance McMafia has of emulating that success is if millions of viewers suddenly develop an inexplicable urge to watch one-dimensional gangsters discussing investment funds and business mergers.

The non-fiction book it’s based on claims that organised crime accounts for roughly 15% of the world’s GDP. A potentially ripe source of drama, but McMafia fails to deliver on its promise. There are no characters to care about. It’s utterly soulless, a slowly meandering iceberg.

James Norton, an otherwise versatile actor, looks hopelessly lost in the underwritten central role of a successful British-born investment banker who can’t escape from his Russian family’s mafia connections. Like young Michael Corleone from The Godfather, he wants to stay legit, but they keep pulling him back in. That’s where comparisons with The Godfather end.

Norton wanders through an interminable procession of ham-fisted scenes stolen from countless other gangster dramas. The uninvolving narrative flits between Mumbai, London, Tel Aviv, Moscow - everyone’s talking ‘bout Pop Muzik! – in a doomed attempt to conjure a sense of epic scale. It makes most of Daniel Craig’s Bond films look exciting by comparison.

Slow-burning dramas only work when they’re fuelled by atmosphere, intrigue, tension and emotion, all of which are conspicuously absent from this frozen turkey.

Occasionally, a jolt of violent action will occur. These moments don’t succeed as shocking flashpoints breaking a spell of finely-tuned suspense, they’re just a cattle-prod used to keep us awake. McMafia is an empty bottle of expensive vodka. What a way to bring in the New Year.

Does Kay Mellor ever sleep? She seems to average at least two hit dramas per year. Her most recent series, Love, Lies and Records, ended just before Christmas. Now she’s back with GIRLFRIENDS, in which Phyllis Logan, Miranda Richardson and Zoe Wanamaker star as three life-long pals in their late fifties.

Mellor tackles her driving theme of age discrimination with typical compassion and humour. When Linda (Logan) loses her beloved husband in mysterious circumstances, she finds herself alone for the first time in 30 years. Gail (Wanamaker) is recently divorced, and no longer feels desirable. Sue (Richardson) is the glamorous features editor of a bridal magazine – she’s never been married – who fears growing old and dying alone.

They’ve been forced to feel irrelevant by a society that discards women when they reach a certain age. Older men are allowed the luxury of becoming distinguished. Older women become invisible. Girlfriends is a cry of anger and frustration in the covert guise of a populist drama. It’s far more important than McMafia.

So is DERRY GIRLS, a very funny, smart and charming new sitcom about a misfit gang of Catholic teenagers in the Troubles-torn Northern Ireland of the mid-1990s.

These kids aren’t defined by their bleak backdrop and religious upbringing, it’s just part of their everyday lives. They struggle with the same growing pains as everyone else. Adolescence is universal, regardless of theological or political context.

Written by Lisa McGee, this semi-autobiographical farce fizzes with cheerful profanities and affectionate observations. Her engaging characters are vividly performed by an excellent cast. The unforced period detail is commendably accurate. The tone – darkness swaddled in warmth - is perfectly pitched. Derry Girls is a delight.