LION: THE RISE AND FALL OF THE MARSH PRIDE + FIGHT AT THE FORT + MARRIAGE

This article was originally published in The Courier on 20th August 2022.

NEXT WEEK’S TV

Lion: The Rise and Fall of the Marsh Pride – Tuesday, BBC Two, 9pm

Africa’s Marsh Pride of lions have been closely documented over the last 40 years, most notably by the BBC’s world-renowned Natural History Unit. In this engrossing 90 minute documentary, the team reconvenes with a species facing extinction. 

It’s a tragedy writ large. Over half of Africa’s lions have been wiped out during the last few decades. There are only around 20,000 left in the wild. They’re desperate, depleted, a dying breed. 

The film features contributions from Maasai people who have to protect their livestock from these hungry predators. They have no other options, what else can they do? 

The epic narrative is embellished by footage culled from the BBC’s vast archive. An exceptional piece of work.

The Dark Side of Direct Sales – Tuesday, BBC Three, 8pm

Young people around the UK are being exploited and conned by direct selling firms. They’ve been enticed by entry-level riches, but in reality they’re rewarded with nothing at all. This documentary exposes what it’s really like to work for these disingenuous cowboys. 

The grim details, most of which are revealed by former agents, include a denial of toilet breaks and several other cruel forfeits. 

I take my imaginary hat off to BBC Three, a ‘youth’ channel that was once quite rightly derided for its facile content. Those days are long gone. In recent years, it’s cleaned up its act. Your friends at Three are more or less defined by worthwhile programmes such as this. Actual public service broadcasting.

Fight at the Fort – Tuesday, BBC Scotland, 10pm

Shadab Iftikhar is Britain’s only Asian football manager. He’s in charge of Fort William F.C., a Scottish Highlands team who haven’t won a league game in over two years. 

At the start of the 2022 football season, the Highland League – the fifth tier of Scottish football - introduced a controversial new diktat: from now on, the bottom-placed team will face relegation. Fort William have lurked at the bottom of their league for the past five years. 

This documentary follows Iftikhar as he does everything in his power to reverse their fortunes. He’s a charismatic fella who was born to manage football teams. It’s his calling. You don’t need to be a football fan to enjoy this bittersweet saga.

Rosie Jones’ Trip Hazard – Tuesday, Channel 4, 10pm

Series two of this amiable confection begins with our host, the comedian Rosie Jones, visiting the north-eastern Scottish heartland of Moray. 

The gist of the show can (and will) be summed up thus: Jones embarks upon various adventures each week while accompanied by a famous pal. Her latest companion is TV presenter AJ Odudu. 

Together they climb Cairn Gorm, one of the highest mountains in Britain. They also enter a clay pigeon shooting competition, row across a loch, dabble in pottery, and try to find some inner peace at Moray’s idyllic environmentally-friendly retreat, Findhorn Ecovillage. And after all of that, they inevitably sample some whisky. 

Your narrator is fellow travelogue doyen, Dame Joanna Lumley.

The Accused: National Treasures on Trial – Wednesday, Channel 4, 9pm

Operation Yewtree was set up in the wake of the posthumous revelations about Jimmy Savile, one of Britain’s most prolific sex offenders. Most of the celebrities who received a firm knock on the door were guilty as charged. But some of them weren’t. 

This programme, which wasn’t available for preview, features testimonies from three famous people who were accused but never arrested or convicted: Cliff Richard, Paul Gambaccini and Neil Fox. 

I quote now from the official synopsis: “It asks the difficult but important questions about how we balance the rights and freedoms of the famous with the need to deliver justice to victims of heinous crimes.” We can only hope that the whole thing is handled sensitively.

All That Glitters – Thursday, BBC Two, 9pm

Comedian Katherine Ryan returns for another mildly diverting sojourn into the world of hand-crafted jewellery. All That Glitters is ostensibly a celebration of wildfire creativity, but the format of the show itself is utterly formulaic. 

Our contestants have to prove their everlasting worth in a designated ‘workshop’ overseen by judges. You’ve seen it all before, folks, and you’ll see it all again. 

Nevertheless, the trinkets meticulously crafted by these people are rather fetching and inventive. And that, I suppose, is why we idly settle upon programmes such as this. The participants are talented, they’re nice, bright, interesting artists who manage to rise above their bland surroundings. 

Plus, y’know, who doesn’t like looking at glittery stuff?

Aretha Franklin: A Tribute to the Queen of Soul at the Proms – Friday, BBC Four, 8pm

Aretha Franklin, who passed away in 2018, was one of the greatest singers to ever grace our planet. 

I say that without the merest hint of hyperbole, her extraordinary voice hit you directly in the heart and solar plexus; an emotional and physical response to a human being expressing every last droplet of whatever they happened to be feeling deep down inside at the time. 

That uninhibited soul, the sheer magnitude of her ecstasy and anguish, was a once in a lifetime gift to us all. We were lucky to have her. 

This BBC Proms gala is fronted by the estimable American R&B singer and Quincy Jones protégé Shelea. Several notable special guests are guaranteed. R.E.S.P.E.C.T.

LAST WEEK’S TV

Griff’s Canadian Adventure – Saturday 13th August, Channel 4

Ah, Griff. For people of a certain age, Griff Rhys Jones will forever be associated with Not the Nine O’ Clock News and Alas Smith and Jones. An ‘80s comedy titan. 

If the young people they have now are even vaguely aware of him at all, he’s just that cheerful chap who presents TV travelogues. I’m sure he couldn’t care less about that, he’s enjoying a lucrative semi-retirement while traveling around the world. Good luck to the man, I’d so the same in his shoes. 

Griff’s latest vehicle is wry, genial, eloquent business as usual. Beautiful Canadian scenery, nice Canadian people, a light sprinkling of Canadian facts and fancies – it fulfils its basic brief with aplomb.

Marriage – Sunday 14th August, BBC One

Stefan Golaszewski made his name with the cult sitcoms Him & Her and Mum. The latter is one of the best British TV shows of the last few years: a modest little masterpiece. 

Marriage is Golaszewski’s first foray into drama, although it still retains his penchant for subtle humour. It’s also his first hour-long piece of episodic television, and I must admit that the low-key pacing which worked so well in a half-hour sitcom struggles to sustain this running time. It sometimes drags. 

However, there’s still so much to savour. Sean Bean and Nicola Walker are typically authentic as a married couple with a nagging sadness at their outwardly comfortable core. Flaws and all, Marriage lingers and intrigues. It's quietly devastating.

 

MIRIAM & ALAN: LOST IN SCOTLAND + WORZEL GUMMIDGE + DOCTOR WHO

This article was originally published in The Courier on 13th November 2021.

NEXT WEEK’S TV

Miriam & Alan: Lost in Scotland – Tuesday, Channel 4, 9:15pm

This new series involves Miriam Margolyes - whose father was Glaswegian - and Alan Cumming driving around Scotland in a campervan. Sounds like fun? Well yes, for the most part it is, but episode one features a saddening sequence in which Cumming revisits his childhood home in rural Tayside. 

His father was an abusive tyrant; watching his otherwise sunny demeanour fade as the awful memories come flooding back feels like a private moment we perhaps shouldn’t be intruding upon. But I understand why Cumming felt the need to share it. Their encounter with old pal Bill Paterson in the beautiful village of Fordyce is also rather bittersweet. 

There are some amusing moments too, though, I assure you.

Dispatches: Did Brexit Work for Business? – Monday, Channel 4, 8:30pm

The latest epistle from Channel 4’s long-running current affairs strand examines Brexit’s impact so far on the fortunes of British businesses. Reporter Harry Wallop strikes an irritatingly arch tone, as if it’s all a big joke, but if you can ignore that – good luck - the programme makes a sobering stats-heavy point. 

It’s based on an exclusive survey and some independent analysis (which factored in the effects of the pandemic). 635 small and medium-sized businesses were polled. Nearly half of them declared that they’re now doing significantly less overseas trade than before. Some of them have stopped trading with the EU entirely. 

They’re wandering through a bureaucratic minefield, an import/export shambles. Who would’ve thought?

The Outlaws – Monday, BBC One, 11:20pm

Worlds continue to collide in the fourth episode of Stephen Merchant’s good-natured comedy drama. This week, the community service gang’s accidentally appropriated drug loot needs to be discreetly laundered, and hapless lawyer Greg (Merchant) is the very man for the job. 

This leads to an amusing scene in which he has to pretend he’s familiar with the Twilight saga (it all makes sense in context). 

The Outlaws is occasionally quite contrived, but it’s also sweet, funny and sincere. The characters are engaging, the storyline is solid, and I admire the assured way in which it balances comedy and drama without any whiplash shifts in tone. Ricky Gervais could learn a lot from his erstwhile comedy partner. But he won't.

DIY SOS: The Big Build Children in Need Special – Tuesday, BBC One, 9pm

A Hull-based charity funded by Children in Need, the St Michael’s Youth Project provides social opportunities for thousands of local kids. An admirable endeavour. Its latest expansion plan involves a countryside campsite and adventure playground; so who better than the DIY SOS team to bring that dream to fruition? 

Regular host Nick Knowles was too busy with other work commitments to take part in this very special episode, but emergency guest presenter Rhod Gilbert is an amiable temp. 

A particularly compassionate and politically-pointed episode, it conveys an important message about poverty. No one should be starving in Britain today; a shameful state of affairs. It is, would you believe, a quietly forthright plea for change.

Between the Covers – Wednesday, BBC Two, 7:30pm

An informal weekly book club, Between the Covers is a pleasant distraction. Hosted by the ever-so-likeable Sara Cox – an entirely natural broadcaster who, one suspects, is just as they appear to be on screen – it polls the opinions of various fiction-steeped celebs. 

This week’s line-up: comic actor John Thomson, cheerfully sentient toffee apple and Saturday Kitchen booze expert Olly Smith, plus two excellent comedians, Fern Brady and Lou Sanders. 

Books under review include new releases The Bookshop by Penelope Fitzgerald and The Coward by Jared McGinnis. Brady also recommends one of her favourites, Oranges Are Not the Only Fruit by Jeanette Winterson, while Smith waxes lyrical about the novelisation of Ghostbusters.

Children in Need 2021 – Friday, BBC One, 7pm

Highlights of this year’s telethon include: a special teddy bear-based instalment of The Repair Shop; BBC News and sport journalists playing a round or two of I Can See Your Voice; Team GB and Paralympics GB competing in a school sports day; and CBBC presenters Sam and Mark taking on Danny Dyer's wonderfully ludicrous gameshow, The Wall. 

Dyer will hopefully pause proceedings to blearily demand some viewer donations: “Give the kiddies some readies, you muppets!” 

Your hosts for the evening are Ade Adepitan, Mel Giedroyc, Graham Norton, Chris Ramsey and Alex Scott. A charitable celeb-based edition of University Challenge unfolds on BBC Two at 10pm, and the benign ghost of Terry Wogan haunts proceedings throughout.

Griff’s Great New Zealand Adventure – Friday, STV, 8pm

The very definition of avuncular, Griff Rhys Jones is one of the imperial doyens of celebrity travelogues. Yes, it’s an overstocked market, but Griff is particularly good at This Sort of Thing. He’s funny, charming and inquisitive. 

In episode one of his latest odyssey, he surfs down some sand dunes, checks into New Zealand’s oldest hotel, bakes a haphazard kiwi pavlova, and marvels at some striking contemporary art dotted throughout a verdant private farm populated by giraffes. 

He also learns about some traditional Maori customs and, err, sings God Save the Queen with a sensational indigenous choir. That’s a slightly awkward moment, but clearly well-intentioned. It’s a culturally sensitive and respectful programme; a nice vicarious vacation.

LAST WEEK’S TV

Worzel Gummidge – Saturday 6th November, BBC One

What a magical piece of television this is. Writer/director/star Mackenzie Crook’s fresh adaptation of the Worzel Gummidge saga has, since 2019, become a yearly treat: a bucolic, summery balm during our deep winter depression. 

The latest episode featured Crook’s old Detectorists cohort Toby Jones in multiple roles, if only to prove that you literally can’t have enough of Toby Jones. That other indispensable character actor, Paul Kaye, also burned brightly (sorry) as an affable if somewhat petulant Guy Fawkes effigy. 

This is bona fide family entertainment: it’s warm, witty, slightly unsettling in its whimsically folk horrific way, and entirely bereft of cynicism. Crook's Gummidge is an ugly/beautiful triumph. Look out for two more episodes over Christmas. 

Doctor Who – Sunday 7th November, BBC One

Episode two of Chris Chibnall’s (more or less) final lap was a pleasingly straightforward affair. Time has gone haywire, hence why the Sontarans are involved in the Crimean War, but Chibnall didn’t get too bogged down in whatever his overarching plan is. 

He delivered a traditional adventure yarn in which Jodie Whittaker’s Doctor was actually allowed to show some gumption and moral fibre for once; Chibnall, inexplicably, usually writes the 13^th Doctor as a bemused passenger in her own show. 

I have little faith in his ability to tie this serial together in a satisfying way, but that hopefully doesn’t matter in the grand scheme of things. Russell T. Davies will be back soon enough. So far, so fun.

 

TV Review: CODE OF A KILLER + A SLOW TRAIN THROUGH AFRICA WITH GRIFF RHYS JONES + THUNDERBIRDS ARE GO!

This article was originally published in The Dundee Courier on 11th April 2015.

http://www.thecourier.co.uk/lifestyle

Code Of A Killer: Monday, STV

A Slow Train Through Africa with Griff Rhys Jones: Friday, STV

Thunderbirds Are Go!: Saturday, STV

Paul Whitelaw

You've got to hand it to ITV. Reducing a remarkable true story to the level of a particularly plodding episode of DCI Banks takes a special kind of incompetence, hence why I'm almost in awe of vexing two-parter Code Of A Killer.

The world-changing discovery of DNA fingerprinting and its first use in a criminal investigation is a fascinating subject ripe for dramatisation. Yet in the workmanlike hands of writer Michael Crompton, it hits every standard beat with thudding predictability.

Fine actors both, even John Simm and David Threlfall can't save it. Simm plays pioneering geneticist Alec Jeffreys. With his Open University beard and turtle neck, he's depicted, as scientists always are on screen, as brilliant yet scatty; a dishevelled genius whose dedication to his work caused him to neglect his long-suffering wife. Fortunately, she's also on hand to provide subtext-free support during times of need. Behind every great man stands a feminine plank of exposition.

Meanwhile, Threlfall is saddled with a thankless role and unflattering hair-do as Detective David Baker, the quietly dedicated copper who enlisted Jeffreys' help in catching a suspected serial killer. A detective unencumbered with gimmicky tics or baggage should be refreshing, but Baker is a downbeat cipher. I accept that in reality policemen such as Baker are ostensibly unremarkable professionals, but a better writer could've brought him more effectively to life.

Buoyed only by an engaged performance from Simm, Code Of A Killer could be dismissed as merely disappointing were it not for the troubling issue of its tragic real-life origins. Episode one confronted us with two harrowing scenes of parents being informed of their daughters' brutal fates. Reliving their trauma in such a half-hearted context felt awfully tasteless.

ITV landed on safer ground with A Slow Train Through Africa with Griff Rhys Jones, their latest addition to the cosy celebrity travelogue pandemic. With his familiar chinny grin and chuckling bonhomie, Griff marshalled this formulaic enterprise with the utmost professionalism. That technically counts as praise if you're easily pleased by gently informative, competently shot tapestries of avuncular 1980s comedians in foreign climes.

The only bum notes were his awkward handling of the, to say the least, sensitive legacy of French imperialist rule in Africa – admittedly this was hardly the forum for incisive political analysis – and his quasi-ironic complaints about being ripped off by local traders. Why, in Marrakesh alone he must've withdrawn a whopping £40 from the production budget. Our hearts bled, Griff.

Don't let nostalgia cloud your memory: the original Thunderbirds series was boring. Only a knee-jerk purist would object to ITV's CGI revival, Thunderbirds Are Go!, on principle. Taken on its own amiable terms, this handsomely animated update ramps up the best elements of the original without sacrificing their charm. It's fun and respectful without being hamstrung by the past, which is all we should really ask for.

Aside from Brains, Lady Penelope and Parker – the latter still voiced by octogenarian David Graham in h'all 'is posh cockernee glory - the International Rescue team are as blandly interchangeable as ever, but one doesn't look to Thunderbirds for rich characterisation. Though slightly too relentless at times, the gung-ho pace and innocent sense of adventure compensates for its 1-D protagonists.

It's unfortunate, then, that ITV in their wisdom have opted to show the rest of the series at 8am on Saturday mornings. The fools, they could've had a weekend teatime hit on their hands.