Showing posts with label Kit Harrington. Show all posts
Showing posts with label Kit Harrington. Show all posts

Sunday, 11 September 2022

SHETLAND | STORYVILLE: GORBACHEV. HEAVEN | HOW TO WITH JOHN WILSON

This article was originally published in The Courier on 10th September 2022.

NEXT WEEK’S TV

Shetland – Wednesday, BBC One, 9pm

Time now for D.I. Jimmy Perez to bid adieu to TV’s most incident-packed Scottish archipelago. His final case, which began with a missing teenager and ended up with a radicalised local setting off bombs all over the principality, proved to be a decent send-off for the character. 

Perez will never be regarded as one of the greatest ever made-up crime-solvers - he was no Columbo, Fitz or Tennison – but his quiet, hangdog integrity and compassion were appealing traits. Douglas Henshall, a sensitive actor, was perfectly cast in the role. 

As you’d expect, the finale consists of a series of terse windswept confrontations and dramatic revelations. Plus the denouement is rather poignant.

Deepfake Porn: Could You Be Next? – Tuesday, BBC Three, 10pm

Deepfake technology is an increasingly sophisticated form of digital manipulation whereby images of people can be convincingly placed in an entirely different context. In this troubling documentary, presenter Jess Davies talks to three deepfake victims. 

These non-consenting women suffered severe trauma when they were made aware of graphic mocked-up pornographic footage of themselves online. Davies reveals that there is no official legislation to protect victims of this devastating crime in England and Wales. There is nothing they can do. 

She also encounters deepfake creators who, without any fear of legal action hanging over their heads, have no qualms about continuing with this abuse.

Storyville: Gorbachev. Heaven – Tuesday, BBC Four, 9pm

Originally released via iPlayer on 31st August, purely by chance just a few hours after its subject’s death was announced, this intimate documentary about Mikhail Gorbachev is being swiftly repeated for obvious reasons. 

Filmed towards the end of his life, it shadows the frail former Soviet leader as he reflects upon his controversial legacy. Hailed by many in the west as a hero for his role in ending the Cold War – Gorbachev was the architect of Glasnost and Perestroika – he’s reviled by many in his homeland for destroying the Soviet Union. His policies had, to say the least, long-lasting consequences. 

The film doesn’t ask us to feel sorry for Gorbachev, but he cuts a rather sad and lonely figure.

The Great British Bake Off – Tuesday, Channel 4, 8pm

The latest series of this sugar-coated juggernaut begins, as it always must, with Cake Week. 

A fresh batch of contestants are tasked with producing 12 perfect mini cakes, a sumptuous sponge cake, and a mercifully scaled-down dessert facsimile of a home close to their hearts. Preview copies weren’t available, but this will obviously be business as usual. The Bake Off format takes care of itself, it needn’t ever change. 

The main event is accompanied on Friday at 8pm by The Great British Bake Off: An Extra Slice, in which host Jo Brand and various celebrity chums cast – oh yes – a sideways glance at the week’s events. We also check in with the first ejected contestant.

Nadiya’s Everyday Baking – Wednesday, BBC Two, 8:30pm

If you weren’t fully sated by Bake Off’s return, then here’s the delightful Nadiya Hussein with more kitchen tips. 

Her latest series is based around a simple mission statement: “baking for you, for me, and for the people we love.” Yes, it’s basically just your standard ‘busy parent’ cookery show - life hacks you can activate before that stressful school run! - but you’d really have to go out of your way to be pointlessly annoyed by it. 

Nigella’s programmes, which revolve around the same premise, are admittedly more compelling because she has such a bizarre presentation style. They’re inadvertently funny parodies of an upper middle-class fantasia. Hussein is far more down to earth and relatable.

My Grandparents’ War – Thursday, Channel 4, 9pm

A wartime-focused version of BBC One’s Who Do You Think You Are?, this returning series follows various celebs as they find out more about the roles their ancestors played during World War One and World War Two. 

The second series begins with Game of Thrones actor Kit Harington, whose grandfather served alongside James Bond creator Ian Fleming in Naval Intelligence. He was subsequently recruited by MI5 and MI6, and went on to commandeer one of the most notorious spying operations of the 20th century. Another one of grandad Harington’s colleagues? Kim Philby. 

Young master Harington also uncovers a tragic romance. This, clearly, is not your standard family backstory. An eventful panoply of riches, no less.

LAST WEEK’S TV

How To with John Wilson – Sunday 4th September, BBC Two

This comic documentary series provides proof, if proof be needed, that irony and sincerity aren’t mutually exclusive. It’s an utterly charming confection in which the American filmmaker John Wilson provides gentle tutorials on how to get through life. 

Wilson is a sweet-natured nerd with a nice line in droll understatement. He wanders his homeland in pursuit of people and their stories. Some of Wilson's interviewees are rather unusual, but he never mocks them. He's genuinely interested in what they have to say.

Episode one, which initially presented itself as an amusing treatise on the art of small talk, ended up being an affecting study of anxiety, loneliness and grief. A very special little show with a generous spirit, I can’t recommend it enough.

Saturday, 28 October 2017

TV Review: GUNPOWDER + THE END OF THE F***ING WORLD

This article was originally published in The Courier on 28th October 2017.


GUNPOWDER: Saturday, BBC One

THE END OF THE F***KING WORLD: Tuesday, Channel 4


It’s a scene we’ve witnessed a thousand times before.

A group of villains descend upon a house and demand entry. Before they can get in – they have to bark threats through a locked front door first – the inhabitants shoo their illegal refugees into various secret hiding places.

The villains search the house but find nothing. However, just as they’re about to leave, the leader of the gang notices that something isn’t quite right. He taps some walls to reveal a suspiciously hollow sound.

Cut to the terrified faces of the refugees hiding within. One of them makes a conspicuous sound, thus confirming the bad guy’s suspicions. Curses! Our heroes have been exposed!

That GUNPOWDER, a new retelling of the Guy Fawkes saga, began with a 15-minute staging of this hackneyed scenario didn’t bode well. This unintentionally Python-esque drama is a compendium of clichés.

Classic groaners under review included: the condemned prisoner eloquently refusing to renounce their supposed sins; dastardly noblemen skulking deferentially around a boorish monarch; a wise mentor (bonus points here for casting Peter Mullan) warning his hot-headed young charge that violent revenge is inadvisable; and Mark Gatiss turning up, as he must do by law in productions of this kind, as a serpentine hunchbacked villain.


Gatiss does deserve his position as the go-to guy for these roles, he never disappoints. I couldn’t fault the cast at all, in fact. Game of Thrones star Kit Harington, who also co-produces, broods sufficiently as the Gunpowder Plot leader, and Liv Tyler pulls off an acceptable English accent. However, a cameo from the great comic actor Kevin Eldon exacerbated the aura of straight-faced spoof.

The suitably grey, grubby, reeking production design was quite impressive. It also didn’t stint on the gruesome violence. There was, I must admit, something perversely pleasing about the BBC scheduling a grim period drama full of torture on a Saturday night after Strictly Come Dancing.


But the script by Ronan Bennett, while not outright bad exactly, was fatally mired in genre tropes. Bennett is an acclaimed Irish playwright whose work for TV includes the excellent Top Boy. This, however, is not his finest hour. Perhaps he’s too close to the material.

During The Troubles, he was convicted of murdering a policeman and plotting to cause explosions. Both convictions were eventually overturned, but it’s not unreasonable to view Gunpowder as his way of explaining why an angry young man might commit acts of violence under an oppressive regime.

Potentially fascinating territory, clumsily traversed.

A new black comedy about two dysfunctional teenagers, THE END OF THE F***KING WORLD wears its quirky darkness on its sleeve. However, that’s what quirkily dark teenagers do, so the tone feels fitting. It’s an intriguing show, funny, cruel, deadpan and sensitive. I admire its uncompromising vision. It’s honest, it has soul. It’s awash with romantic ‘50s pop.


James isn’t just quirky, he’s an actual psychopath. A suburban English Dexter. Or is he? Alyssa is an abrasive antisocial outcast suffering secret sorrow. She’s drawn to his weirdness. He sees her as his first potential murder victim. They’re a lost, vulnerable duo.

Despite the extreme subject matter, it’s a morbidly engaging meditation on how it feels to be a bright, difficult, alienated teenager from a boring town perpetually bathed in flat early evening sunlight. The two young leads strike just the right balance between sad, awkward innocence and blunt cynicism.

This British Badlands is an unconventional love story worthy of your time.