Showing posts with label Delia Derbyshire. Show all posts
Showing posts with label Delia Derbyshire. Show all posts

Saturday, 22 May 2021

LONG LOST FAMILY: BORN WITHOUT TRACE + INSIDE NO. 9 + WE ARE LADY PARTS

This article was originally published in The Courier on 22nd May 2021.

NEXT WEEK’S TV

Long Lost Family: Born Without Trace - Monday to Wednesday, STV, 9pm

This touching series, in which people abandoned as babies finally discover more about where they came from, is a reliably, and quietly, stellar piece of work. 

Programmes of this nature are often quite manipulative and questionable, but Long Lost Family comports itself with commendable sensitivity. It’s a force for good. 

Over the course of these three new episodes, we’re introduced to more people in search of answers. Closure, if you will. As always, the programme doesn’t judge their parents harshly; there are always difficult, mitigating circumstances. 

Time and time again, Long Lost Family unearths stories of young people in dire straits, people who for various reasons just didn’t know how to cope. Everyone involved is treated with compassion.

Cook Clever, Waste Less with Prue and Rupy – Monday, Channel 4, 8:30pm

According to this benign new lifestyle show, we apparently throw 14 billion (fiscal) pounds worth of food away every year. A dismal statistic. So thank heavens above for ‘leftover queen’ Prue Leith and food expert Dr Rupy Aujla, who are on a mission to help families save time and money while reducing food waste. 

This week, they meet two young boys with gluten and dairy allergies. Their parents try to provide them with a balanced diet, but that results in needless overspend and waste. 

So, Prue and Rupy devise a healthy, minimalist weekly meal plan; if you buy relatively cheap yet nutritious ingredients, they can be reused to create a variety of dishes. It really is that simple. 

The Year Britain Stopped – Monday, Channel 4, 9pm

Prior to the vaccine rollout, Britain had one of the worst Covid death rates in the world. This simmering documentary highlights the hypocrisy and incompetency of Boris Johnson’s government while speaking to NHS doctors and nurses, as well as some of the people who lost loved ones during the pandemic. 

We hear from one of the nurses who treated Johnson while he was hospitalised with Coronavirus. She’s very diplomatic and professional – Johnson was a patient who required treatment – but her sadness and disgust when he tried to co-opt her into his thumbs-up publicity campaign is palpable. 

It was just too upsetting, the very thought of clapping alongside him for the cameras when she’d witnessed so many deaths. 

Inside No. 9 – Monday, BBC Two, 9:30pm

The best episode of this series so far is set in a threadbare hotel room; a crucible of loneliness bathed in sickly green. Steve Pemberton plays a heartbroken little man who suspects that his wife is having an affair. So he hires a professional lip-reader (Sian Clifford) to spy on her movements in an adjacent building. 

Reece Shearsmith occasionally butts in as a stiff, uptight German hotel manager with a sinister pencil moustache. He’s permanently suspicious and interfering. It’s like a weirdly claustrophobic episode of Fawlty Towers. Pemberton and Shearsmith are, of course, aware of this; listen out for a fleetingly specific allusion to Basil’s attitude towards his guests. 

A satisfyingly bleak and cruel instalment of an endlessly surprising anthology. 

The Black American Fight for Freedom – Wednesday, BBC Two, 9pm

Last year, as you know, the brutal murder of George Floyd ignited the Black Lives Matter movement, which campaigns not only for an end to police brutality but also for something that was promised 48 years ago by the Civil Rights Act: racial equality. 

This despairing documentary looks back at those moments during the last six decades of American history when opportunities for positive social change were cruelly snatched away. The programme explains why these brief glimmers of hope have been repeatedly vanquished. 

In America today, you are five times more likely to serve time in prison than if you’re white. The average black family is eight times poorer than the average white family. For all our supposed enlightenment, systemic injustice still prevails.

Before We Die – Wednesday, Channel 4, 9pm

Lesley Sharp stars in this beat-for-beat British adaptation of a resolutely solemn Swedish crime drama, which you may have seen via Channel 4’s Walter Presents strand. 

She plays a police detective whose partner, a fellow officer, is abducted during a stakeout. To make matters worse, she discovers that her troubled stepson – with whom she has a strained relationship – has been assisting his dad in an undercover investigation into organised crime. So now they’re all involved. 

It’s a decent enough premise, but Before We Die is fatally undermined by sloppy pacing and wooden dialogue. Even an actor of Sharp’s calibre can’t rise above those fundamental flaws. All she can do is her professional best.

Friday Night Dinner: 10 Years and a Lovely Bit of Squirrel – Friday, Channel 4, 9pm

This tenth anniversary celebration of Robert Popper’s semi-autobiographical sitcom farce about a suburban Jewish family also serves as a bittersweet tribute to the great Paul Ritter, who passed away recently. 

Ritter was seriously ill when the programme was made, but he was determined to pay tribute to a series he was understandably proud of. This marks his final onscreen appearance. Ritter’s performance as the endearingly eccentric Martin was an absolute delight. He will be missed.

The programme also features interviews with Popper and the cast, as well as celebrity fans – and long-time Popper pals – David Baddiel and Peter Serafinowicz. It provides some insight into the writing and filming process, and there are a smattering of outtakes to enjoy. Shalom.

LAST WEEK’S TV

Delia Derbyshire: The Myths and the Legendary Tapes – Sunday 16th May, BBC Four

20 years ago, some tapes were found in a Northampton attic. They were the lost works of electronic music pioneer Delia Derbyshire, who had recently passed away. Musician/performance artist Cosey Fanni Tutti sampled them to create the soundtrack for this immersive and suitably idiosyncratic docudrama from British actor and filmmaker Caroline Catz. 

Derbyshire, a member of the BBC Radiophonic Workshop, is best known for her extraordinary arrangement of the Doctor Who theme; but that was just one of her many creative achievements. She was a beguiling nonconformist immersed in musique concrete and the infinite subtleties of sound. 

Catz played Derbyshire in tasteful dramatic reconstructions, while friends and collaborators waxed lyrical about this remarkable artist. Audio interviews with Derbyshire were laced throughout. A haunting film.

We Are Lady Parts – Thursday 20th May, Channel 4

An obvious cult hit in the making, this hugely likeable sitcom follows a Muslim female punk band – the titular Lady Parts – as they attempt to spread their uncompromising feminist message. 

The protagonist is a bright, conservative, geeky young Muslim woman whose ultimate priority is finding a husband. A big fan of earnest 1970s folkies such as Don McLean and Janis Ian, she provides acoustic guitar lessons for underprivileged children, and only accepts the gig as Lady Parts’ lead guitarist so she can meet the drummer’s handsome brother. Unfortunately, she suffers from vomit-inducing stage fright. 

Written and directed by Nida Manzoor, We Are Lady Parts is charming and subversive. It’s a sly, good-natured labour of love.

 

Saturday, 28 November 2020

THE SOUND OF TV WITH NEIL BRAND + SMALL AXE

This article was originally published in The Courier on 28th November 2020.

NEXT WEEK’S TV

The Sound of TV with Neil Brand – Friday, BBC Four, 9pm

The best television theme tunes are indelibly embedded within the national psyche. The ones we grew up in particular with invoke a Proustian rush unlike any other. Neil Brand, that estimable composer and pop culture enthusiast, knows this only too well. His latest series is an embarrassment of riches in which he celebrates the enduring spell of television music. He offers eloquent insight into how and why the best theme tunes work, with highlights including a visit to Portmeirion, where he dissects el maestro Ron Grainer’s dynamic theme from The Prisoner, and a meeting with Dick Mills of the BBC Radiophonic Workshop, who analyses the great Delia Derbyshire’s ground-breaking electronic arrangement of Grainer’s Doctor Who theme. It’s all wonderful.

Hospital – Monday, BBC Two, 9pm

Filmed just a couple of months ago, the latest episode of this urgent frontline documentary follows staff at Barnet Hospital in London as they treat elderly patients while dealing with a bed shortage exacerbated by the pandemic. The hospital, which is part of the Royal Free London NHS Foundation Trust, is situated in a borough with nearly one hundred care homes. The A&E department has been pushed to its limit. Winter, a time when older people are at their most vulnerable, is looming. Covid-19 is on the rise again. The point of this series couldn’t be clearer. No amount of well-meaning public applause and utensil-banging can compensate for the government’s catastrophic mishandling of the pandemic.

Paul O’Grady’s Great British Escape – Wednesday, STV, 8pm

This week, the nationally treasurable O’Grady reads some Chaucer to his pigs as a prologue to a sojourn in Canterbury. While there, he checks up on the major renovation of Canterbury Cathedral (“Good job I had a stent put in,” he quips while scaling its heights), pops into the cosy country pub where Ian Fleming wrote You Only Live Twice, takes a ride on a vintage steam train, and visits an endangered big cat sanctuary (they’re very keen on Calvin Klein-infused catnip, apparently). This is, quite simply, a nice series. It may not add up to much in the grand scheme of things, but God knows we need some fleeting escape from the grand scheme of things sometimes.

New Elizabethans with Andrew Marr – Thursday, BBC Two, 9pm

Marr’s latest essay is a scattershot dud. His stated aim is to illustrate how British society has changed dramatically during Liz II’s lengthy time on the throne – the second Elizabethan age. To that end he’s chosen a handful of notable public figures who reflect that transformation. A sound idea in theory, but Marr spends far too little time on each of his nominations. The result is a superficial overview, a smash and grab advert for his tie-in book. You simply cannot do justice to the fascinating likes of (deep breath) Graham Chapman, Diana Dors, Ruth Ellis, Tracey Emin, Darcus Howe, Roy Jenkins, Alan McGee, Nancy Mitford, Jan Morris and Mary Whitehouse in the space of an hour. It’s pointless.

Grayson’s Art Club: The Exhibition – Friday, Channel 4, 8pm

Earlier this year, Grayson Perry delivered some emergency lockdown cheer via his Channel 4 series in which he encouraged people to express their hopes and fears through the democratic medium of art. In this one-off special, Perry and his equally splendid wife, the psychotherapist Philippa Perry, host a socially distanced Manchester Art Gallery exhibition of the work they curated during that series. Preview copies weren’t available, the show is still being edited as I type these words, but I can pretty much guarantee that it will fleetingly restore your faith in human nature. The Perrys aren’t pretentious, they’re arty egalitarians. C4 have assured us that, once lockdown is lifted, Grayson’s Art Club will make a triumphant return.

Waterhole: Africa’s Animal Oasis – Friday, BBC Two, 9pm

In this enlightening series, Chris Packham and biologist Ella Al-Shamahi examine the life-threatening impact of climate change on the African ecosystem. They’re on a protected wildlife preserve in Tanzania, where the BBC’s Natural History Unit have built a waterhole discreetly rigged with cameras. Their aim is to study the ways in which these vital sources of water manage to support so many competing species. Episode one is liberally stocked with buffalo, warthogs, elephants, leopards, lions and zebras, who eye each other suspiciously like rival gangs in a pub carpark. But peace is maintained by their overriding need to sup from the waterhole whenever the chance arises. Some of the footage, most of it filmed at night, is extraordinary.

LAST WEEK’S TV

Fela Kuti: Father of Afrobeat – Saturday 21st November, BBC Two

The Nigerian musician Fela Kuti was a revolutionary artist, a radical political activist, a countercultural hero. He was also an enigma. By the end of this frustrating documentary, I felt no closer to understanding him than I did at the start. It succeeded in illustrating Kuti’s fearlessness when it came to standing up against a dictatorial regime in the 1970s and 1980s – he risked his life in the name of personal freedom – but it skirted coyly around the subject of his communal compound, which was full of young women at his beck and call. Some of them, it hinted, may have been underage. No one had a bad word to say about him, but an uncomfortable subtext simmered throughout.

Small Axe – Sunday 22nd November, BBC One

The second film in Steve McQueen’s anthology of dramas about London’s West Indian community was an immersive ode to youth in all of its intensity, romance, confusion and defiance. It took place at a house party in 1980, a time when young black people weren’t welcome in predominantly white nightclubs. McQueen’s camera lingered fondly (not creepily) over kids on the verge of adulthood as they sang, danced, smoked, drank and fell for each other. But this was no rose-tinted celebration. A woman was raped. Racism circled the building. The party represented an oasis of escape set against an encroaching backdrop of violence. McQueen, with characteristic eye for vivid detail, captured all the joy and pain. A magnificent piece of work.