This article was originally published in The Courier on 5th March 2022.
NEXT WEEK’S TV
The Witchfinder –
Tuesday, BBC Two, 10pm
This
promising new sitcom is written and directed by Neil and Rob Gibbons, a sibling
duo who, since 2010, have been responsible for some of the greatest ever Alan
Partridge material.
Set in mid-17th century England against a
tumultuous backdrop of civil war, plague and deranged religious zealotry, it
stars Tim Key (aka Sidekick Simon) as a hapless witchfinder, Jessica Hynes as
his long-suffering assistant, and Daisy May Cooper from This Country as a sardonic woman accused of witchery.
Python and
Blackadder are the obvious touchstones, and there’s no denying that Key’s
character – a pompous fool who desperately craves recognition – is in the
Partridge mould. But The Witchfinder
is still funny on its own farcical terms.
Katie Price: What
Harvey Did Next – Monday, BBC One, 9pm
Last
year, as you may recall, Katie Price and her teenage son Harvey participated in
a tender documentary about their personal circumstances. This is the follow-up.
Harvey has a complex variety of rare medical and behavioural conditions, which
can make life difficult for him. The programme follows Harvey as he embarks
upon a major rite of passage: leaving home for college, where he’ll stay for
the next three years. Katie and Harvey are understandably anxious, but the
brilliant support staff – a credit to their profession – ensure that this
transition runs as smoothly as possible.
It’s a touching portrait of a young
man with learning difficulties gradually gaining independence, while a doting
mother deals with her own mental health.
Our House – Monday to Thursday, STV, 9pm
Martin Compston and Tuppence Middleton star in this psychological thriller about a divorced couple who make a fragile living arrangement for the sake of their children. And then, of course, it all goes horribly wrong.
Based on a critically acclaimed bestseller by Louise Candlish, Our House is blighted by stilted dialogue and a faulty narrative structure. The flashbacks are supposed to invite intrigue, but the overall effect is enervating. I only had access to episode one, so for all I know it might reveal tremendous hidden depths by the end. But I doubt it.
It’s just another instalment in ITV’s never-ending cavalcade of generic kitchen island thrillers. Compston and Middleton do their best, but the material is beyond salvation
Stacey Dooley: Inside
the Convent – Monday, BBC One, 10:35pm
Dooley
isn’t religious, but for the purposes of her latest investigative report she’s
decided to reconsider her belief system while spending ten days in a small
convent with some delightful Anglican nuns.
They observe three key vows:
poverty, obedience and celibacy. It’s a strictly-scheduled and repetitive
existence, but they all seem happy enough. And it’s not as if they aren’t aware
of the sacrifice they’ve made. Some of them admit to having wavered at times,
but their faith in God is unstinting.
Dooley, as always, strikes up a natural
rapport with her interviewees. She returns, gently and without judgement, to a
central question: how can you have devout faith in a world so beleaguered with
cruelty and injustice?
Interior Design
Masters with Alan Carr – Wednesday, BBC One, 9pm
A
textbook piece of competitive lifestyle television, this returning series pits
ten aspiring interior designers against each other. Each week they have to
magically transform various commercial spaces while impressing a formidable
panel of design gurus including Michelle Ogundehin and Lawrence Llewelyn Bowen.
The grand prize is a locked-contract with a luxury Cornwall hotel. Meanwhile,
host Alan Carr picks up an easy paycheque.
“I would class myself as a creative
genius” boasts a designer who looks like Alan Rickman auditioning for a
spaniel-only remake of Easy Rider.
The contestants all say things like that, but we know how TV works in this post-Big Brother/Apprentice age. The producers cajole them into sounding as silly as
possible.
Michael Mosley: Who Made
Britain Fat? – Wednesday, Channel 4, 9pm
As
you’ve no doubt surmised from the baldly descriptive title, Britain’s obesity
problem is the subject of this new two-part series hosted by genial medical
expert Michael Mosley.
I haven’t seen the programme, previews weren’t
available, but it sounds like a rather searching critique of successive governmental
failures to effectively tackle the issue, no matter how many supposedly helpful
policies they launch.
Mosley, an unassuming man with a quietly authoritative grasp
of well-researched facts, puts forward his own theories with regards to how the
crisis can be solved without adding further harm to an already sorely tested
NHS. He’s always worth listening to. In episode one, Mosley’s interviewees
include celebrity chef and patently sincere child health campaigner Jamie
Oliver.
Grantchester – Friday,
STV, 9pm
This
ecclesiastical detective drama obviously hasn’t been the same since original
star James Norton (TV critic cliché alert) hung up his dog collar, but it’s
still a fairly enjoyable clue-sniffing distraction. It whiles away an hour in
an entirely inoffensive way. Last of the Summer Crime, if you will. All Murders
Great and Small.
The latest series begins with the discovery of a corpse in the
grounds of a struggling ancestral estate. But never mind that, it looks like
our intrepid vicar hero could be smitten with a mysterious woman he meets in
one of those new-fangled late 1950s jazz clubs. Meanwhile, Geordie (the ever-reliable
Robson Green) tries to get back together with his estranged wife.
LAST WEEK’S TV
Peaky Blinders –
Sunday 27th February, BBC One
And
so, the end is near. As the final series of this stylised Shakespearean
gangster tragedy got underway, the untimely passing of the great Helen McCrory was
tastefully handled within the first ten minutes. Writer Stephen Knight killed
her character off, the dreadful deed unseen for obvious reasons, but she’s not
forgotten. Her vital role in this saga endures.
The huge mainstream success of Peaky Blinders has been rather heartening.
It is, after all, a fairly offbeat piece of work. But its unique qualities – that
combination of hallucinatory psychodrama, vivid characters, a compelling
storyline and a thickly clotted bloodstream of mordant wit – struck a clanging chord
with viewers. It will be missed. But for now let’s enjoy its last hurrah.
Stanley Tucci:
Searching for Italy – Sunday February 27, BBC Two
The
actor Stanely Tucci is elegant charm personified. A dry-witted fellow with a
passion for life. So no wonder this new series is an enjoyable confection.
What’s not to like about a culinary travelogue in which a charismatic guide
celebrates the sights, sounds, tastes and smells of various Italian cities? Superior
comfort viewing.
In episode one, Tucci visited Naples and the Amalfi Coast. It
wasn’t an entirely cosy endeavour – Tucci explored the often troubled history
of these regions – but his M.O. is basically this: Italy is a wonderful
country, it has contributed so much to our cultural palette, and wouldn’t you
just love to eat a slice of pizza while admiring some art? Well yes, Stanley, I
would.