A version of this article was originally published in The Dundee Courier on 12th December 2015.
Doctor
Who: Saturday, BBC One
Prey:
Wednesday, STV
Paul
Whitelaw
Farewell then, Clara Oswald, I'm sure
I speak for many when I say you were definitely a companion in the
hit sci-fi series Doctor Who. Please don't come back.
A fortnight after she was killed off,
Clara returned in this year's series finale. Head writer Steven
Moffat just couldn't let her lie, thus undoing the impact of her
demise. But at least he only revived her to give her tangled story an
absolutely final happy ending. Didn't he?
Having essentially become a surrogate
Doctor after all that time spent with him, she whizzed off in her
American diner-shaped TARDIS to have intergalactic adventures with a
female companion of her own. In a bittersweet twist – one that
explicitly mirrored/subverted the tragic demise of Donna Noble - the
Doctor, after spending 5 billion hellish years trying to reverse
Clara's death, had all his memories of her erased.
This, in its vaguely underwhelming
way, was actually one of the nicest, most poetic send-offs a
companion has ever had. It's just a shame it was wasted on Clara.
Had she been a more engaging
character, her exit would've carried greater emotional weight.
Instead it came across as merely clever. A neat conjuring trick.
Moffat the technician. Unlike most previous companions, Clara was a
bland non-event. Introduced as little more than a mysterious plot
device during the Matt Smith era, she never developed a personality
beyond Moffat's standard quipping, sassy auto-bot setting
I didn't dislike her. How could I?
It was impossible to feel any strong emotions about such a thin,
inoffensive character. She was pretty. Her clothes were nice. Clara
Oswald, a life.
It wasn't Jenna Coleman's fault,
she's a competent actress. But even the greatest board-treader would
struggle with such an unfocused role. It didn't help that she was
paired with Matt Smith and Peter Capaldi, two of the most
magnetically charismatic actors to ever fill the Time Lord's boots.
She didn't stand a chance.
So why did Moffat keep her around for
so long? Possibly because he was determined to fix a character who
simply didn't work. He wanted to
make her seem important in the grand scheme of DW
lore
because he regretted having created such an insubstantial character.
But she never came alive.
Still, at least we can look forward
to a new companion next year, one who will hopefully prove worthy of
Peter Capaldi's magnificent central performance. He commands the
screen with total assurance.
The unevenness of the finale –
which, though beautifully directed and full of interesting ideas,
didn't quite cohere - was frustrating given that this series was one
of the best in years.
Capaldi's electrifying anti-war
speech from the Zygon adventure was the most powerfully direct
political statement in DW history, while the extraordinary
episode in which the Doctor found himself trapped within an
hallucinatory Kafka-esque nightmare has rightly been hailed as an
all-time classic.
It was a reminder that, when
inspired, Moffat is one of DW's greatest ever writers. If, as
rumoured, the next series is his last, I hope he exits on the high
note he deserves.
Series one of Prey starred
John Simm as man wrongly accused of a terrible crime. The loosely
connected second series finds his old Life On Mars mucker
Philip Glenister in a similar predicament. Last year, Ashes to
Ashes' Keeley Hawes found herself wrongly accused and framed in
Line Of Duty 2. Is that entire cast suffering from a paranoid
persecution complex? Do they have something to tell us?
As a prison guard blackmailed into
allowing a female inmate to escape, Glenister plays his standard role
with practised hangdog aplomb. I'm a sucker for a Wrong Man scenario,
and Prey riffs on the theme quite assuredly. It's a
pot-boiler, but competently brewed.
However, the real star of this
reasonably diverting thriller is Rosie Cavaliero as the engagingly
cynical, humanely downbeat detective on his trail. I suspect we'll be
seeing a lot more of this fine character actress in future.
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