Saturday, 26 October 2019

TV Column: GUILT + CHILDREN IN NEED: GOT IT COVERED


This article was originally published in The Courier on 26th October 2019.


NEXT WEEK’S TV


GUILT
Wednesday, BBC Two, 9pm


In this new black comedy from Bob Servant creator Neil Forsyth, two brothers accidentally run over and kill an elderly man. When they try to cover it up, their lives become increasingly complicated. The brothers are a study in contrasts. Max (Mark Bonnar) is a rich, amoral lawyer. Jake (Jamie Sives) is a humble, sensitive record shop owner. Max’s plans to get away scot-free are compromised by his hapless brother’s pesky conscience and burgeoning relationship with the dead man’s niece. Guilt is great, a sharp farce-cum-thriller that confirms Forsyth’s status as one of Scotland’s best comedy writers. It’s also buoyed by an enjoyably demonic performance from the always reliable Bonnar, who’s positively Limmy-esque at times.

WHO ARE YOU CALLING FAT?
Monday and Tuesday, BBC Two, 9pm


Britain is in the grip of an obesity crisis, but there’s a growing movement in favour of reclaiming what it means to be overweight. In this challenging two-part experiment, nine people who identify as fat or plus-size spend a week together under the same roof to share their experiences of living with obesity. Sharp differences of opinions ensue. That’s hardly surprising, as the participants include a pair of anti-diet, body-positive activists, a man who swears by his liposuction, a woman who’s ashamed of her body, and the CEO of a charity that regards obesity as a disease. It’s guaranteed to trigger debate and, alas, idiotic comments on Twitter. You know what people are like.

CHILDREN IN NEED: GOT IT COVERED
Wednesday, BBC One, 7:30pm


Earlier this year, ten well-known British actors assembled at the legendary Abbey Road Studios in London to record an album for Children in Need. Under the tutelage of a team including hit-making songwriter and producer Guy Chambers, these warbling novices were asked to choose songs that have personal meaning to them. Hence this rather pleasant documentary in which we’re treated to the unlikely spectacle of Jim Broadbent doing a countrified version of Blue Moon, Olivia Colman performing Portishead’s Glory Box with her Fleabag co-star Phoebe Waller-Bridge on ukulele, and genuinely touching versions of Yellow by Coldplay and Sunshine on Leith by The Proclaimers performed, respectively, by Doctors Jodie Whittaker and David Tennant. Don’t worry, it’s not as luvvie-ish as it sounds. Cynics need not apply.

GET RICH OR TRY DYING: MUSIC’S MEGA LEGACIES
Friday, BBC Four, 9:30pm


Hosted, with commendable dedication to maximum archness, by Ana Matronic from Scissor Sisters, this depressing, number-crunching documentary explains how the estates of superstar music artists continue to rake in billions posthumously. We meet a financially secure roster of producers, publicists, lawyers and family members, all of whom seem blissfully happy. Deceased legends and born again ‘brands’ under review include the Ramones, David Bowie, Bob Marley (“Sustainability was so important to him,” smarms the American businessman in charge of his estate), Prince and Elvis Presley, who laid the lucrative blueprint for the entire so-called legacy industry. The King has been dead for 42 years and currently has over 14 million followers on Twitter. It’s what he would’ve wanted.

LAST WEEK’S TV

TRAVEL MAN
Monday October 21, Channel 4

The relentlessly ironic Richard Ayoade began his latest series of supposedly affordable 48-hour travel breaks in Dubrovnik, Croatia. His celebrity companion on this occasion was Stephen Merchant. I’ve never understood the point of Travel Man, it’s so lightweight you never get a satisfying sense of the destinations it visits. That’s sort of the point, but so what? Come back Cliff Mitchelmore, where e’er you may be.

Saturday, 19 October 2019

TV Column: THE ACCIDENT + THE WALL


This article was originally published in The Courier on 19th October 2019.


NEXT WEEK’S TV

THE ACCIDENT
Thursday, Channel 4, 9pm



Sarah Lancashire stars in this disquieting new drama about a small Welsh community struggling in the wake of a local tragedy. Scenes of a traumatic nature ensue when a group of teenagers break into a construction site for some recreational drug and spray paint fun. The Accident feels at first like an elaborate ‘80s Public Information Film, but it gradually reveals its wider meaning when writer Jack Thorne (This Is England; National Treasure) starts asking provocative questions about guilt, revenge and corporate accountability. Clearly influenced in part by the Grenfell Tower tragedy, it’s a timely piece. Lancashire, who excels as usual, is ably supported by a cast including Joanna Scanlan (The Thick of It) and Sidse Babbett Knudsen (Borgen).

THE BRITISH TRIBE NEXT DOOR
Tuesday, Channel 4, 9:15pm


This presumably well-intentioned series could easily come across as massively offensive. Preview copies weren’t available, so I can only hope against hope that Scarlett Moffatt and her Gogglebox family living in a replica of their terraced home in the middle of a Namibian tribal village – yes, really - turns out to be a sensitive study of vast cultural differences. Moffatt is an exceedingly likeable person, she’s smart, funny and nobody’s fool. That means, in theory at least, that the results of this gimmicky social experiment will be quite interesting. I’m nothing if not a cockeyed optimist. In episode one she’s forced to confront her body-image insecurities when asked to wear the traditional Himba dress. Meanwhile, dad introduces the locals to metal detecting. Hmm.

BILL TURNBULL: STAYING ALIVE
Thursday, Channel 4, 10pm

In November 2017, former BBC Breakfast presenter Bill Turnbull was diagnosed with advanced prostate cancer. It’s an incurable illness, he’s been told he has no more than ten years left to live, but he wants to know if it really has to be a death sentence. So, in this emotional documentary, he explores various potential methods of prolonging his life. Interviewees include a teenage cancer patient who is certain that cannabis oil, which is illegal in the UK, has kept him alive, and an altruistic man who provides free medicinal cannabis to seriously ill people. Turnbull tries some and gets the uncontrollable giggles, which isn’t something I ever thought I’d witness. He also examines the benefits of a meat-free diet.

K-POP IDOLS: INSIDE THE HIT FACTORY
Friday, BBC Four, 9:30pm

The biggest boyband in the world today aren’t, as history has taught us to expect, from Britain or the USA. They’re called BTS and they hail from South Korea. BTS are merely the tip of a slick, machine-tooled phenomenon known as K-Pop, which in recent years has managed the unthinkable and punctured the West’s long-standing dominance of the music industry. To find out how this happened, music journalist James Ballardie travels to South Korea to meet some of K-Pop’s top movers and shakers. Chief among them is Soo-man Lee, a Midas-like mogul who basically invented the genre. Over the last 30 years he’s produced a never-ending line of strictly-controlled, wholesome pop acts.

LAST WEEK’S TV

THE WALL
Saturday 12th October, BBC One


Hang on, what’s this? A Saturday night game show hosted by Danny Dyer? What a time to be alive. It’s a perfectly adequate crumb of nothingy filler dominated by a large pachinko-like pegboard and Dyer’s carefully honed, one-note personality. Contestants answer non-taxing general knowledge questions asked, for no reason I can fathom, by the disembodied voice of Angela Rippon. Balls drop down the board. Cash prizes are won. Dyer runs through his hammed-up glossary of cockney colloquialisms. There is nothing more to it than that, but it serves its modest and instantly forgettable purpose.

HIDDEN LIVES
Thursday 17th October, BBC One


This excellent new series, in which various writers explore overlooked aspects of contemporary Scottish society, began with a lyrical film from the estimable journalist Peter Ross. He visited the small coastal town of Burghead to celebrate an ancient fire festival known as The Clavie. This lively annual event, which involves hardy souls carrying a flaming barrel of tar on their backs, is a potent symbol of proud community heritage. As Ross observed, the tradition isn’t maintained for tourism or the local economy, it’s maintained “because it’s always been done and it must, and shall, always be done.” A delightful piece of television.