This article was originally published in The Courier on 30th January 2021.
NEXT WEEK'S TV
It’s a Sin – Friday, Channel 4, 9pm
We’ve known from the start that at least one of the characters in Russell T. Davies’ outstanding drama would eventually die from AIDS. But no matter how much you may have steeled yourself for that tragic development, this episode is utterly devastating.
Davies doesn’t flinch, as that would fatally undermine his modus operandi. He wants us to confront the terrifying cruelty of this disease and the appalling stigma that surrounded it in the 1980s. He’s made us care about these characters, we’re fully invested in them. Now it’s time to cry and get angry.
And yet, as always, Davies balances the horror with humour. He’s a remarkable writer: this profoundly compassionate political statement could be the best thing he’s ever done.
Craftivism: Making a Difference – Monday, BBC Four, 10pm
Comedian Jenny Éclair has been on her fair share of protest marches over the years. In this revealing programme, she examines the direct crossover between grass-roots activism and creativity, specifically with regards to knitting, cross-stitching, banners and Fuzzy Felt graffiti.
That may sound rather twee and whimsical, but Éclair makes a strong case for the effectiveness of craftivism. It grabs people’s attention, it makes them stop and think: humour, art and politics combined. It can also be a source of mental wellbeing.
Éclair meets various nimble-figured campaigners, all of them devoted to raising awareness of various important causes via non-aggressive means. They’re doing what they can in a benign yet sometimes provocative way.
Interior Design Masters with Alan Carr – Tuesday, BBC Two, 8pm
Deep in the bowels of Broadcasting House, there stands a large semi-sentient computer tasked with churning out formulaic competitive lifestyle formats. Its latest computation is this, a slickly upholstered vehicle featuring ten creative contestants hoping to break into the professional world of interior design. The grand prize is a contract with a luxury hotel in The Lake District.
Each week they’re instructed to transform a bland commercial space using the spellbinding power of their imaginations. Host Alan Carr does what’s required of him (very little), while design guru Michelle Ogundehin scrutinises their efforts.
It is staggeringly dull, the very definition of barely moving wallpaper. No drama, no tension, no fun. We don’t need this right now. Or ever.
Joanna Lumley’s Home Sweet Home: Travels in My Own Land – Tuesday, STV, 8pm
La Lumley rises above that unwieldy title to present this undemanding series in which she travels around Britain. You know the drill: nice scenery and a smattering of history, all wrapped up in Lumley’s soothing caramel tones. There’s no theme, no focus, just a random patchwork of vignettes.
On the banks of Lake Windermere she visits the picturesque home of Beatrix Potter. In Whitby, the coastal town that inspired Bram Stoker’s Dracula, she hangs out with some goths. Meanwhile, in Manchester, she visits Coronation Street HQ to wax nostalgically with William Roache (she once played Ken Barlow’s girlfriend for four weeks in 1973).
Lumley is undeniably good at this sort of thing, she’s naturally charming, friendly and inquisitive.
Your Garden Made Perfect – Thursday, BBC Two, 8pm
Here we go again, yet another ‘aspirational’ series designed to make us feel like failures. You don’t have a massive garden and a mound of disposable income? Well that’s your fault.
In episode one we meet two couples with a combined budget of £40,000. They want to transform their back gardens into magical wonderlands, so they enlist a team of design experts. Detailed computer-generated simulations afford them the luxury of choosing the results. This conceit is presented as a mind-blowing hook.
The only affluent lifestyle show I can stomach is Grand Designs, because that tacitly mocks the participants. Pure schadenfreude. This is a smug celebration of oblivious middle-class orthodoxy. I’m a million laughs in real life, honestly.
The Chasers Road Trip: Trains, Brains and Automobiles – Thursday, STV, 9pm
In the final episode of this knowledge-hungry travelogue, Anne, Mark and Shaun from TV’s The Chase arrive in Japan, which has one of the highest robot to human ratios in the world.
Their journey into the world of Artificial Intelligence is ostensibly light-hearted, but the programme carries a sinister undertow. Advanced facial recognition technology could pose a serious threat to our civil liberties, and do we really want to live in a world populated by realistic androids? We’ve all seen Humans and The Terminator.
Shaun is particularly worried about this dystopian sci-fi nightmare, whereas pragmatic Anne believes that the human brainbox will always be the dominant force on Earth. Bradley Walsh was unavailable for comment.
LAST WEEK’S TV
Incredible Journeys with Simon Reeve – 24th January, BBC Two
Last year, seasoned BBC travellers Michael Palin and Louis Theroux hosted emergency lockdown compilations of highlights from their previous adventures. Now it’s Simon Reeve’s turn.
An affable explorer with a dedicated social conscience, Reeve is a people person. He’s not one to merely bask in the foreign climes he encounters, he’s more interested in making a meaningful street-level connection with different cultures.
This wasn’t the best way to appreciate his work: Best Of’s never are. But it was a touching reminder of how, in his unassuming way, he exposes injustice. War, poverty, inequality, prejudice, these are the abiding themes of his programmes. His anger bubbles just below the surface. His compassion is palpable. A decent human being.
Hip Hop: Songs That Shook America – 29th January, BBC Four
Each episode in this new series focuses on a game-changing hip hop track. It began with Kanye West’s Jesus Walks from 2004. A powerful redemption song, this innovative fusion of social commentary, self-aggrandisement and gospel put Kanye on the map.
Which is all well and good, but the story behind the making of Jesus Walks isn’t particularly interesting. Yes, the programme placed the song in its socio-political context while tracing the evolution of Kanye’s life and career up until that point, but it all felt rather perfunctory.
To make up for Kanye’s absence, series producers Questlove and
Black Thought from The Roots spoke to some of his collaborators. The rest of
the series will hopefully be more substantial.
