Showing posts with label World War One. Show all posts
Showing posts with label World War One. Show all posts

Sunday, 17 July 2022

MARYLAND + BRITAIN'S TOURETTE'S MYSTERY: SCARLETT MOFFATT INVESTIGATES + THE OUTLAWS

This article was originally published in The Courier on 16th July 2022.

NEXT WEEK’S TV

Maryland – Wednesday, BBC Two, 10:05pm

I urge you to watch this. Originally performed at London’s Royal Court in 2021, Lucy Kirkwood’s 30-minute play confronts the heinous everyday issue of violence against women. 

Mary and Mary (Zawe Ashton and Hayley Squires) meet for the first time at a police station in the dead of night. They’ve both been assaulted by men. We follow them over the course of a humiliating investigative process loosely overseen by an excruciatingly jocular and insensitive policeman (Daniel Mays).

A savage indictment of standard police procedure in cases such as these, Maryland is driven by fury and compassion. It does not flinch from the appalling injustice of a society in which women are forced to live in fear.

Long Lost Family Special: The Unknown Soldiers – Monday, STV, 9pm

Four years ago in Belgium, the remains of nine British soldiers were discovered in a trench on what was once a World War One battlefield. 

In this typically sensitive edition of ITV’s stalwart DNA search, hosts Nicky Campbell and Davina McCall team up with an official MOD unit colloquially known as the War Detectives. Their mission: to identify those long-lost fallen soldiers and formally lay them to rest. 

Campbell and McCall meet up with some of their descendants. Thanks to the dedicated efforts of the War Detectives, the time has now come for them to pay their final respects. As you would expect, the dénouement is very poignant. It’s a reunion of sorts, a moment of closure.

Super Surgeons: A Chance at Life – Monday, Channel 4, 10pm

Filmed over the space of a year at London’s esteemed Royal Marsden Hospital, this illuminating three-part series follows surgeons and patients as they grapple with reaching a difficult mutual decision: to operate or not? 

The Royal Marsden provides specialist cancer treatment. Some patients can be saved. Others, alas, cannot. 

The series begins with Jade, who has a cancerous tumour in her throat. The quite clearly brilliant surgeon, Professor Paleri, uses a surgical robot in an attempt to improve Jade’s chances of survival. Paleri has never attempted this procedure before. If he makes a mistake, Jade might never be able to speak or swallow again. 

Britain’s Tourette’s Mystery: Scarlett Moffatt Investigates – Tuesday, Channel 4, 10pm

Yes, I know: why is that woman from Gogglebox presenting a documentary about Tourette’s? Well, Moffatt is a nice, bright, empathetic person. If we must have celebs fronting serious documentaries, we may as well encourage the likes of Moffatt. She does a pretty good job here. 

In the last 18 months, there has been a marked increase in physical and verbal tics among children and teenagers; a mental health crisis magnified by lockdown. Some of these young people have formed support networks via social media, but that has presented its own set of problems. 

It’s a thoughtful, nuanced, inquisitive programme. Moffatt asks gently direct questions and actually listens. “I’ve got a newfound respect for Louis Theroux,” she smiles at one point.

Unvaccinated – Wednesday, BBC Two, 9pm

Medical experts are warning that we’re about to enter a fifth wave of the Covid-19 pandemic. Approximately five million adults in the UK still haven’t received a single dose of the vaccine. Why? 

In this documentary, Professor Hannah Fry brings seven unvaccinated people together under one roof. She wants to understand their reasons for refusing the vaccine. At the end of the experiment, the main point of which is to highlight the severe dangers of misinformation, some of Fry’s participants are forced to question their fears and beliefs. 

I haven’t seen the programme, it wasn’t available in time for my deadline, but Fry is always worth listening to.  

The Supervet: Noel Fitzpatrick – Thursday, Channel 4, 8pm

Let joy be unconfined, animal lovers, Professor F is back. A leading veterinary surgeon, his latest series kicks off (albeit gently) with a typical cavalcade of mildly perilous yet ultimately uplifting cases. 

This week’s patients include a large garrulous dog who may well require some hip replacement surgery, an adorably boisterous kitten with a suspected tibia injury, and a police dog afflicted with some painful stomach and spine issues. 

It’s easy to take shows such as this for granted. After all, they don’t amount to much in the grand scheme of things. But they’re put together with a certain amount of unassuming artistry. Without ever resorting to outright cynicism or chicanery, they sculpt heart-warming narratives you cannot resist.

First Dates – Thursday, Channel 4, 10pm

Another year, another series of this occasionally quite sweet and ultimately harmless dating show. You know the drill by now. Suave maître d’ Fred Sirieix and his affable factotums welcome another bunch of hopeful love seekers into their surveillance restaurant.

Your first daters this week include a self-proclaimed ‘typical Essex lad’ who subscribes to an extreme beauty regime. Spoiler: his body is entirely hairless like an Action Man. This smooth operator’s date likes what she sees, he ticks various boxes, but will she be able to accept his unorthodox line of work? 

We also meet an eccentric art gallery owner who moonlights as a gas fitter. Life’s rich pageant in all its glory.

LAST WEEK’S TV

My Life as a Rolling Stone – Saturday 11th July, BBC Two

It was Keith and Ronnie’s turn last week. A sympatico double bill. 

Ronnie’s episode was enjoyable. As always, he came across as a nice, talented chap who is understandably liked by everyone. But the Keith episode was borderline fascinating at times.

The overarching theme was outwardly expressed by Mick and Tom Waits, the latter being a friend who understands the dangers of succumbing to a contrived dissolute persona. 

Keith is an introverted music geek, a sensitive soul who invented ‘Rock Wildman Keith Richards’ as a way of avoiding reality. Drink and drugs helped to support that fantasy, until they didn’t. Keith didn’t exactly deny that. 

The main takeaway point was this, however: Keef is an incredibly gifted musician and songwriter.

The Outlaws – Sunday 12th July, BBC One

Farwell, then, Stephen Merchant’s The Outlaws. A splendid piece of entertainment. 

It was a heartfelt comedy thriller knowingly influenced by Scorsese, Breaking Bad, Billy Wilder and, of course, Merchant’s own warm, daft, parochial comic sensibilities. I’ll miss those characters. 

And I really can’t stress this enough (although I’m about to): the gulf in quality between Merchant’s solo output and that of his erstwhile collaborator is staggering. The heart and soul of The Office? That clearly all came from Merchant. 

The other chap was great as David Brent, an outstanding comic performance, but everything he’s done on his own has been facile, lazy and embarrassing. 

I look forward to seeing what Merchant does next.

Saturday, 19 November 2016

TV Review: MY MOTHER AND OTHER STRANGERS + THE PITY OF WAR: THE LIVES AND LOVES OF THE WAR POETS

This article was originally published in The Dundee Courier on 19 November 2016.


MY MOTHER AND OTHER STRANGERS
Sunday, BBC One

THE PITY OF WAR: THE LIVES AND LOVES OF THE WAR POETS
Sunday, STV

As befits the spirit of Remembrance Sunday, our rival networks came together last weekend to commemorate both world wars.

Despite being tainted with a nagging tug of predictability, BBC One’s MY MOTHER AND OTHER STRANGERS is a fairly promising new drama about life in a rural Northern Ireland parish in 1943.

The opening scenes didn’t bode well. They unfurled in a studiously tasteful procession of wartime clichés: children staring up at bombers flying overhead; women in woollen berets riding bicycles; flat-capped men grumbling about spam; US airmen swaggering into town on a wave of big band jazz (“All right, boys, this is a dance, but they call it a ceilidh!”).

The only thing missing was our old friend, the untethered horse cantering down a cobbled high street.


Thankfully, those dubious first impressions were gradually laid to rest. Much like Call the Midwife, this is a cosmetically pretty – it’s beautifully photographed - yet fundamentally solemn and understated Sunday night confection.

Our protagonists are the Coyne family. Mother Rose (Hattie Morahan, hitherto best known as the neurotic Jane from Outnumbered) is an educated Englishwoman whose role as a pillar of the community still can’t overcome her alien status. Although somewhat snobbish, she’s perceptive, humane and – so it transpired – willing to take up arms.

Her conflicted Irish husband, Michael, runs the local boozer, while her teenage daughter and young son (whose weathered adult narration, courtesy of Ciaran Hinds, provides the requisite air of ambiguous nostalgia) struggle to make sense of their war-torn playground.

In time-honoured and occasionally over-literal fashion, it’s a child’s-eye view of a perplexing adult world.

When Rose encountered a Tennyson-quoting US army captain (Mad Men actor Aaron Staton) on a picturesque clifftop, the stage was set for an inevitable “will they, won’t they?” romance. Likewise, there were few surprises in the story of Rose’s innocent daughter falling for a charming American airman. His cards were marked from the moment he appeared.


Nevertheless, it was a rather poignant vignette about adolescent confusion and the tragedy of young men being sent off to certain death. These stories are fictional, although loosely based on actual incidents. A palpable sense of sadness permeates proceedings, and writer Barry Devlin isn’t afraid to explore the underlying darkness, violence and bigotry of his rain-drenched parish.

If he cuts back on the clichés, then I don’t see why this sincerely tender drama couldn’t run and run.

Though generally dismissed as a bulwark of bottom-drawer populism, ITV is very occasionally capable of producing programmes of surprising sensitivity and depth.
THE PITY OF WAR: THE LIVES AND LOVES OF THE WAR POETS was one such anomaly.

This one-off docudrama paid tribute to the soldiers whose experiences in the trenches during World War One inspired some the greatest anti-war poetry ever written.

It was framed by John Hurt as an ageing Siegfried Sassoon, still haunted by the war 50 years later. The great Thespian’s husky voice caressed Sassoon’s starkly disillusioned words, while younger actors read from letters, diaries and poems to provide a horrifyingly vivid picture of life on the frontline.


The emotionally-charged yet platonic mentor/student relationship between Sassoon and Wilfred Owen was touchingly portrayed. Owen, our greatest wartime poet, was killed in action just one week before Armistice Day. But his harrowing work lives on.

This graceful programme served as a fitting testament to the subversive genius of two outstanding poets, and to the fallen soldiers whose hellish nightmare they immortalised so unsparingly.