This article was originally published in The Courier on 21st September 2013.
Orphan
Black: Friday, BBC3
Educating
Yorkshire: Thursday, Channel
4
Paul
Whitelaw
It's a question I'm sure we've all
wrestled with: what would you do if you discovered you were just one
of several identical clones? Would you be driven insane by the sheer
existential horror of the discovery? Or would you, like Sarah, star
of Anglo-Canadian sci-fi thriller Orphan Black, exploit it for
your own ends?
Returning to her adopted New York,
this insouciant English bohemian immediately bumped into her double,
Beth, on a subway platform. The shock was compounded by Beth's
subsequent suicide beneath an oncoming train. Spying a chance to
literally begin a new life with her estranged daughter, Sarah wasted
no time in stealing Beth's belongings and adopting her identity.
Naturally, the subterfuge didn't run
smoothly. Beth, it transpired, was a rookie detective facing
indictment for the accidental murder of a civilian. Fortunately, her
partner, a permanently scowling cynic straight out of cop cliché
central, was on hand to coach her replacement through the details of
the case.
The scenes in which Sarah attempts to
pass herself off as Beth are, while suspenseful, basically played for
laughs. That Orphan Black has a knowing sense of its own
absurdity is one of its saving graces. Slick and propulsive, it milks
an intriguing central mystery – why do these clones exist, and
who's responsible for bumping them off? - with helter skelter brio.
But in chasing a self-consciously cool, cocky, sexy tone, it
sacrifices emotional depth. It also suffers from some clunky dialogue
and brazen exposition: thanks, Sarah, but you really don't need to
read aloud from every piece of evidence you find.
Canadian actress Tatiana Maslaney
copes admirably with a demanding multiple role, imbuing each clone –
including snooty 'soccer mom' and hippy-geek versions of herself –
with markedly different body language. Unfortunately, her English
accent is shaky, and her brief yet ridiculous turn as a German clone,
replete with red wig and 'Allo 'Allo overacting, comically
undermined an ostensibly dramatic twist.
It also doesn't help that
Sarah's gay foster brother, who figures heavily as her partner in
crime, is monumentally irritating. A haughty torrent of snide quippery, he
comes across as a dislikeable bore, rather than the colourful catty
funster he's presumably supposed to be.
Nevertheless, so far Orphan Black
succeeds as an addictive slice of superficial hokum.
By treating its subjects with dignity
and respect, the wholly benign Educating Yorkshire feels like
a rare manifestation of modern-day Channel 4's deeply hidden
conscience. A documentary observing life in an ordinary secondary
school, it's a funny and poignant, but never saccharine, portrait of
pupils and staff struggling against the odds.
The latest episode focused on two
disruptive boys, whose exasperating behaviour threatened their future
at the school. Typically, the programme sympathised with both sides,
showing the vulnerability behind the troublemakers' noisy façades,
as well as their teachers' determined efforts to help them as much as
possible. Their fear of failing the children placed in their charge
was palpable in its sincerity.
When teenage Tom's stepbrother died,
his numbed grief quickly gave way to aggressive rebellion. Watching
his collapse was troubling and sad. And yet despite dealing in such a
sensitive area, the camera's gaze never felt prurient or intrusive.
Educating Yorkshire is observational documentary-making at its
best: life in the raw, captured with honesty, humour and compassion.
PREVIEWS
A Very British Murder
Monday, BBC4, 9pm
Playfully enthusiastic historian Lucy
Worsley presents this new series examining Britain's fascination with
murder. Skulking through the shadows of history, she tells the
colourful and gruesome story of how newspapers began printing
sensationalised murder reports in the early 19th century,
much to the delight of a ravenous public.
The Wrong Mans
Tuesday, BBC2, 9pm
James Corden and Horrible
Histories' Mathew Baynton write and star in this entertaining
comedy thriller about a hapless duo unwittingly involved in a violent
kidnapping plot. Their avowed goal of delivering a sitcom infused
with twist-laden 24/Homeland-style drama seems to have paid
off.
Marvel's Agents of S.H.I.E.L.D.
Friday, Channel 4, 8pm
This drama from Joss Whedon (Buffy
The Vampire Slayer; Avengers Assemble) arrives in the UK on a
wave of hype. Whether it delivers remains to be seen. It begins with
the formation of a global law-enforcement agency in a world still
coming to terms with the existence of aliens and superheroes.
The IT Crowd: The Last Byte
Friday, Channel 4, 9pm
Graham Linehan's patchy sitcom bids
farewell with a fitfully amusing special, in which Roy and Jen become
internet hate figures following an incident with a tramp and a
diminutive barista. Moss, meanwhile, discovers the benefits of
confidence-boosting trousers.
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