Educating Yorkshire: Mr Mitchell

Here's a link to my interview with Mr Mitchell from Educating Yorkshire:

http://www.theguardian.com/tv-and-radio/tvandradioblog/2013/oct/01/educating-yorkshire-jonny-mitchell-television

This article was first published in The Guardian on 1st October 2013.

TV Review: ORPHAN BLACK and EDUCATING YORKSHIRE

This article was originally published in The Courier on 21st September 2013.

http://www.thecourier.co.uk/lifestyle

Orphan Black: Friday, BBC3

Educating Yorkshire: Thursday, Channel 4

Paul Whitelaw

It's a question I'm sure we've all wrestled with: what would you do if you discovered you were just one of several identical clones? Would you be driven insane by the sheer existential horror of the discovery? Or would you, like Sarah, star of Anglo-Canadian sci-fi thriller Orphan Black, exploit it for your own ends?

Returning to her adopted New York, this insouciant English bohemian immediately bumped into her double, Beth, on a subway platform. The shock was compounded by Beth's subsequent suicide beneath an oncoming train. Spying a chance to literally begin a new life with her estranged daughter, Sarah wasted no time in stealing Beth's belongings and adopting her identity.

Naturally, the subterfuge didn't run smoothly. Beth, it transpired, was a rookie detective facing indictment for the accidental murder of a civilian. Fortunately, her partner, a permanently scowling cynic straight out of cop cliché central, was on hand to coach her replacement through the details of the case.

The scenes in which Sarah attempts to pass herself off as Beth are, while suspenseful, basically played for laughs. That Orphan Black has a knowing sense of its own absurdity is one of its saving graces. Slick and propulsive, it milks an intriguing central mystery – why do these clones exist, and who's responsible for bumping them off? - with helter skelter brio. But in chasing a self-consciously cool, cocky, sexy tone, it sacrifices emotional depth. It also suffers from some clunky dialogue and brazen exposition: thanks, Sarah, but you really don't need to read aloud from every piece of evidence you find.

Canadian actress Tatiana Maslaney copes admirably with a demanding multiple role, imbuing each clone – including snooty 'soccer mom' and hippy-geek versions of herself – with markedly different body language. Unfortunately, her English accent is shaky, and her brief yet ridiculous turn as a German clone, replete with red wig and 'Allo 'Allo overacting, comically undermined an ostensibly dramatic twist. 

It also doesn't help that Sarah's gay foster brother, who figures heavily as her partner in crime, is monumentally irritating. A haughty torrent of snide quippery, he comes across as a dislikeable bore, rather than the colourful catty funster he's presumably supposed to be.

Nevertheless, so far Orphan Black succeeds as an addictive slice of superficial hokum.

By treating its subjects with dignity and respect, the wholly benign Educating Yorkshire feels like a rare manifestation of modern-day Channel 4's deeply hidden conscience. A documentary observing life in an ordinary secondary school, it's a funny and poignant, but never saccharine, portrait of pupils and staff struggling against the odds.

The latest episode focused on two disruptive boys, whose exasperating behaviour threatened their future at the school. Typically, the programme sympathised with both sides, showing the vulnerability behind the troublemakers' noisy façades, as well as their teachers' determined efforts to help them as much as possible. Their fear of failing the children placed in their charge was palpable in its sincerity.

When teenage Tom's stepbrother died, his numbed grief quickly gave way to aggressive rebellion. Watching his collapse was troubling and sad. And yet despite dealing in such a sensitive area, the camera's gaze never felt prurient or intrusive. Educating Yorkshire is observational documentary-making at its best: life in the raw, captured with honesty, humour and compassion.

PREVIEWS

A Very British Murder

Monday, BBC4, 9pm

Playfully enthusiastic historian Lucy Worsley presents this new series examining Britain's fascination with murder. Skulking through the shadows of history, she tells the colourful and gruesome story of how newspapers began printing sensationalised murder reports in the early 19^th century, much to the delight of a ravenous public.

The Wrong Mans

Tuesday, BBC2, 9pm

James Corden and Horrible Histories' Mathew Baynton write and star in this entertaining comedy thriller about a hapless duo unwittingly involved in a violent kidnapping plot. Their avowed goal of delivering a sitcom infused with twist-laden 24/Homeland-style drama seems to have paid off.

Marvel's Agents of S.H.I.E.L.D.

Friday, Channel 4, 8pm

This drama from Joss Whedon (Buffy The Vampire Slayer; Avengers Assemble) arrives in the UK on a wave of hype. Whether it delivers remains to be seen. It begins with the formation of a global law-enforcement agency in a world still coming to terms with the existence of aliens and superheroes.

The IT Crowd: The Last Byte

Friday, Channel 4, 9pm

Graham Linehan's patchy sitcom bids farewell with a fitfully amusing special, in which Roy and Jen become internet hate figures following an incident with a tramp and a diminutive barista. Moss, meanwhile, discovers the benefits of confidence-boosting trousers.