This article was originally published in The Courier on 23rd November 2013.
An
Adventure in Space and Time: Thursday,
BBC2
Storyville
– Blackfish: The Whale That Killed: Thursday,
BBC4
Paul
Whitelaw
As deranged though it may sound to
Doctor Who agnostics – amazingly, such people still exist -
I'm not ashamed to admit that, by the end of An Adventure in Space
and Time, my eyes were prickled moist. An emotional experience
for life-long fans such as myself, this beautifully realised drama
about the programme's troubled origins paid heartfelt tribute to the
pioneers who set it in motion.
Anchored by a sensitive performance
from David Bradley as original Doctor William Hartnell, it was
clearly a labour of love for all concerned, including writer/producer
and Doctor Who acolyte Mark Gatiss – as a dramatist, it's
the best thing he's written – and director Terry McDonough. The
latter's lovingly framed, almost magical shots of dear, departed Television Centre –
fittingly, this was the last drama to be filmed there before it
closed earlier this year – spoke volumes about the alchemy of
creative endeavour.
Accessible and authoritative, it
offered an astute blend of acceptably broad strokes and fan-pleasing
attention to detail. I suspect that, even for viewers who've never
watched Doctor Who in their lives, Gatiss' touching tale of an
ailing character actor given a late, fleeting lease of life would've
struck a tender chord.
Bolstered by extraordinarily accurate
production design – the original TARDIS console room looked
stunning – An Adventure in Space in Time was, at heart, a
traditional story about a gang of “misfits” triumphing against
the blinkered establishment.
Waris Hussein and the heroically
dedicated Verity Lambert (an assured performance from Call the
Midwife star Jessica Raine) were, respectively, the BBC's first
Indian director and female producer. Both surmounted prejudice and
obstruction to create something bold, new and experimental, despite
being banished to a cramped studio with a budget of around ninepence.
I'm no knee-jerk patriot, but somewhere in there lies the proud and
decent essence of Britishness.
Although tempered with affectionate
humour and the grit and pathos of Bradley's performance –
Hartnell's irascibility wasn't ignored – the celebratory mood
peaked with a fleeting cameo from current incumbent Matt Smith. As
the outgoing first Doctor shared an understanding glance with the
outgoing eleventh, the far-reaching scale of Hartnell and co's
achievement was encapsulated in one wordless flash of magical
symbolism.
Sentimental and self-indulgent? Oh
yes. But if you can't indulge yourself on your 50th
birthday, when can you? As much as I'm looking forward to the
anniversary special starring Smith, David Tennant and John Hurt,
it'll have to work hard to trump this charming love letter.
A deeply angering yet essential
documentary, Storyville – Blackfish: The Whale That Killed
exposed the appalling mistreatment of killer whales at SeaWorld
marine parks.
In 2010 an orca called Tilikum killed
an experienced trainer. SeaWorld tried to blame the victim,
conveniently ignoring the fact that Tilikum had killed on two
previous occasions. With candid assistance from sincerely repentant
former trainers, the film showed how these intelligent, sociable
creatures were driven to violence and despair after being kept in
inhumane conditions for almost their entire lives. It's hardly a
coincidence that no human has ever been killed by an orca in the
wild.
A necessarily distressing experience,
this powerful document should, by rights, be instrumental in
obliterating our outdated view of animals as entertainment. If you
missed it, then I urge you to watch it on iPlayer. Rarely have I
witnessed such a compassionate, comprehensive attack on the amoral deeds of
corporate self-interest.
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