Saturday, 16 May 2020

HORIZON: WHAT'S THE MATTER WITH TONY SLATTERY? + PETER SELLERS: A STATE OF COMIC ECSTASY


This article was originally published in The Courier on 16th May 2020.

NEXT WEEK’S TV

HORIZON: WHAT’S THE MATTER WITH TONY SLATTERY?
Thursday, BBC Two, 9pm


The comedian Tony Slattery was once one of the biggest stars on British television. A handsome sprite with a rare gift for inspired improvisation, he was ubiquitous. And then, suddenly, he disappeared. Last year, an interview with The Guardian in which he talked openly about his mental health and substance abuse issues, returned him to the spotlight. In this raw, candid, moving documentary, Slattery and his wonderful partner Mark go in search of an official diagnosis as well as the harrowing root cause of some of his issues. A terribly sweet, vulnerable man, Slattery is in a bad way. But he hopes that, by choosing to expose the ravages of his illness, he might encourage others to seek help too.

THE CHANGIN’ TIMES OF IKE WHITE
Monday, BBC Four, 10pm


Ike White is a gifted soul musician whose only album, Changin’ Times, was recorded in 1976 under highly unusual circumstances: White was serving a life sentence for murder at the time. This absorbing Arena documentary follows a classic mystery formula: introduce the viewer to a forgotten cult artist, then gradually reveal what happened to them. White has always maintained that, while guilty of robbing a grocery store, he shot and killed the owner by accident. The Changin’ Times project was a chance to turn his life around, yet despite the patronage of Stevie Wonder and a release from prison in 1978, he more or less chose to fade into obscurity. Following a diligent search, Arena tracked him down to find out why.

OUR LIVES: SOUL BOY
Wednesday, BBC One, 7:30pm


Meet Anthony Flavin, a Nottingham teenager who has been in care since he was six. This uplifting half hour documentary follows him as he prepares to branch out on his own for the first time. Anthony has discovered a passionate sense of purpose within the local Northern Soul community. It has boosted his confidence and changed his life completely. The programme is a sweet celebration of the transcendent succour of music and companionship. The Northern Soul scene is quite rightly presented as an utterly positive working class subculture, an egalitarian escape route from the pressures of everyday life. We could all do with a little hope at the moment; you’ll find some here. Come on feet, start movin’.

CLIMBING BLIND
Wednesday, BBC Four, 9pm


This remarkable documentary follows lifelong climber Jesse Dufton, who is almost completely blind, as he attempts to conquer the Old Man of Hoy. No one has ever made a ‘non-sight’ lead of the famous Scottish sea stack before, but Dufton is confident that he can do it. Accompanied by his sight guide and fiancée, Molly, and rock-climbing filmmaker Alastair Lee, he first of all explains his technique: “I’m not really using my eyes, to be honest. They don’t really give me any useful information. All the information will be what I feel through my hands and through my feet as well.” The Old Man of Hoy is a sheer rock face, 449-foot high. In a word: yikes.

LAST WEEK’S TV

PETER SELLERS: A STATE OF COMIC ECSTASY
Saturday 9th May, BBC Two


This occasionally interesting yet rather peculiar and frustrating profile of the late comic genius was, more by accident than design, perfectly in keeping with the man’s inconsistent personality. It struck me as a programme with honest intentions, albeit one that lost its thread in the editing room. 

It borrowed heavily from The Peter Sellers Story, a stellar Arena documentary from 1995. That’s forgivable to an extent, as some of the key contributors have passed away since then, but it still felt like a piecemeal compromise. 

Sellers was, to say the least, a tremendously difficult man with undiagnosed mental health issues. He treated his many wives and children appallingly (Britt Ekland spoke about their relationship for the first time on camera, and came across with dignity). He wasn’t very good at being human. But this programme implied that, as an artist, he peaked with Dr Strangelove and never recovered his mojo until Being There, fifteen years later. Utterly misleading nonsense. 

It was an honest profile insomuch as it didn’t shy away from how utterly awful he could be, but it didn’t have much to say about the state of comic ecstasy he was best known for. The Arena documentary is much better; you can watch it all on YouTube.   

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