Showing posts with label Dominic Savage. Show all posts
Showing posts with label Dominic Savage. Show all posts

Sunday, 4 December 2022

I AM RUTH | THE SECRET WORLD OF CHRISTMAS CHOCOLATE | I'M AN ALCOHOLIC: INSIDE RECOVERY

This article was originally published in The Courier on 3rd December 2022.

NEXT WEEK’S TV

I Am Ruth – Thursday, Channel 4, 9pm

The latest instalment of this acclaimed female-led anthology series is an incredibly moving meditation on the teenage mental health crisis.  

As with every I Am… film, the story was co-devised by writer/director Dominic Savage and his lead actor, who in this case is Kate Winslet. 

She plays a single mum who’s desperately concerned about her teenage daughter, Freya (Winslet’s real-life daughter Mia Threapleton). Freya is in the throes of clinical depression, an illness exacerbated by her destructive engagement with social media. 

If you have personal experience of the issues raised in the film, then please tread carefully as it may prove distressing. I can, however, assure you that it’s presented with the utmost care and sensitivity.

My Dead Body – Monday, Channel 4, 10pm

Six years ago, a young woman by the name of Toni Crews was diagnosed with a rare form of tear gland cancer. Her infected eye had to be surgically removed. Toni chronicled her treatment via social media, her courage, humour and honesty inspiring a huge online community. 

When she discovered that her cancer was terminal, Toni was determined to continue raising awareness of the disease. A remarkable decision ensued: Toni not only agreed to donate her body to medical science, she also gave consent for it to be on public display – the first dissection of its kind in nearly 200 years. 

Told in Toni’s own words, this touching documentary explains why she chose that option. It’s a fitting tribute.

The Secret World of Christmas Chocolate – Tuesday, Channel 4, 9pm

This fascinating series, which focuses on the often hilarious rivalries between some of Britain’s biggest consumer brands, is an absolute delight. 

It features candid contributions from major industry players, most of whom seem to agree that fighting bitter turf wars over crisps and whatnot is an inherently silly and trivial pursuit. Which isn’t to say that they didn’t take their jobs seriously, as you’ll see in this typically entertaining account of the decades-long battle for Christmas market dominance waged by Quality Street, Roses, Ferrere Roche and Mars. 

They all have to strike a tricky balancing act between comforting tradition, while offering something their rivals can’t compete with. But woe betide the visionary who strays too far outside the box.

I’m an Alcoholic: Inside Recovery – Wednesday, BBC Two, 9pm

2022 marks the 75th anniversary of Alcoholics Anonymous in the UK. This thought-provoking documentary examines the devoutly religious foundations of the organisation, and asks – without judgement – what those tenets mean in today’s more secular society. 

The beating heart of the programme, however, is its sensitive focus on an AA group, where members talk openly on camera about how going through this process has changed their lives for the better. Their anonymity is, of course, protected. Deep Fake technology is used to disguise them beyond all recognition. 

The stories contained herein are often very sad and raw, but they also provide some hope for anyone affected by alcoholism. It’s a valuable piece of work.

Cops in Crisis: Dispatches – Wednesday, Channel 4, 10pm

Public trust in Britain’s police forces is at an all-time low. The daily news headlines are crammed with allegations of serious misconduct and a toxic inside culture. Many of those within the forces bemoan an increasing lack of resources with which to tackle heightened demands. But that’s of zero comfort to the victims of crime. 

In this new Dispatches report, we hear from frontline police officers who have recently quit, their belief in the job at hand having been tested to breaking point. They just could not continue in good faith. 

The programme also hears from people who have been profoundly let down by the police. That failure has had a devastating impact on their lives.

Christmas at Blenheim Palace – Thursday, Channel 4, 8pm

I have no idea if Winston Churchill ever went all-out at Christmas, I’d like to imagine that he donned a Santa hat at least, but these days his birthplace of Blenheim Palace in Oxfordshire doesn’t hold back when it comes to celebrating the festive season. 

It transforms itself into a sprawling winter wonderland for the benefit of a yearly intake of around 250,000 awestruck visitors. 

This cheerful programme provides unprecedented behind-the-scenes access to a vast and rather stressful operation in which the palace stages family-friendly highlights such as a retelling of Hans Christian Andersen’s much-loved fairy tale The Snow Queen, with each opulent state room representing a different part of the story.

Unreported World – Friday, Channel 4, 7:30pm

This week, Channel 4’s stalwart investigative series reveals that toad venom is being sold in Mexico as a possible cure for mental illness and drug addiction. Inevitably, concerns have been raised about the safety and long-term psychological effects of this unregulated psychedelic drug. 

Reporter Guillermo Galdos hooks up with a controversial doctor who swears by his treatment. He also claims that his drug, which is extracted from a toad found only in Mexico and the southern United States, is now more valuable than gold on the black market. But could there be something in it? 

Galdos meets a psychiatrist whose clinical trials, using a synthetic version, have apparently caused an 80% remission of chronic depression in his patients.

LAST WEEK’S TV

Simon Schama’s History of Now – Sunday 27th November, BBC Two

The estimable historian’s latest project is an atypically personal series in which he draws upon first-hand experience to support his central thesis: “In times of crisis, it’s not always politicians, but artists, musicians and writers who rouse us from indifference.” 

Schama, who was born on the night of the Dresden bombing, is part of a generation who were determined to rebuild the world in the name of truth and democracy. 

He met with the descendants of literary titans such as George Orwell and Boris Pasternak, who spoke of the sacrifices their ancestors made to bring their message to the masses. He also encountered defiant punk musicians who have been imprisoned for their beliefs. 

A sobering yet inspiring lesson.

Planet Sex with Cara Delevingne – Thursday 1st December, BBC Three

Model and actor Cara Delevingne began her exploratory new series by confronting some of the big questions surrounding female sexuality. Why, for instance, do so many women still feel uncomfortable about enjoying sexual satisfaction, whether with a partner or alone? 

For obvious reasons, I can’t really divulge the specific details of Delevingne’s essay, but it was a frank and empathetic study of feelings that no one, in an ideal world, should ever feel embarrassed about. But this is the world we live in, where women are still being discouraged from talking about what they actually want. 

Delevingne, who identifies as bisexual and pansexual, is an engaging guide; she’s irreverent yet plainly sincere. Those modes aren’t mutually exclusive.

Sunday, 1 August 2021

I AM VICTORIA + WRITE AROUND THE WORLD WITH RICHARD E. GRANT + RIGHT HERE: THE BLACK VEIL

This article was originally published in The Courier on 31st July 2021.

NEXT WEEK’S TV

I Am Victoria – Thursday, Channel 4, 9pm

Series two of this female-led anthology from writer/director Dominic Savage begins with an emotionally raw drama about the importance of seeking help when you need it most. 

Savage, much like Mike Leigh, favours a creative process whereby he collaborates closely with his actors; these characters and narratives are borne of carefully controlled improvisation. The star and co-creator of episode one is the brilliant Suranne Jones. 

She plays Victoria, a successful businesswoman with a supportive husband (Ashley Walters) and two beautiful children. But underneath that seemingly – and as it transpires, desperately – perfect façade, Victoria is struggling with her mental health. I Am Victoria is intense, riveting, sad yet hopeful. And Jones is quite extraordinary.

How Healthy is Your Gut? – Tuesday, Channel 4, 8pm

Bloating, flatulence, heartburn, diarrhoea: it is reported that over half of the UK’s population suffers from digestive problems. If you can – and I really am so sorry about this – stomach it, this frank documentary actually provides some useful advice about what we should do to boost our gut health and general quality of life. 

Your friendly host is Sabrina Grant, who enlists the help of six volunteers tasked with trying out various popular diets and treatments – including colonic hydrotherapy - to see if they have any significant effect. Perhaps inevitably, gastrointestinal cameras are involved. 

But the programme, to its credit, avoids the cheap and childish ‘tee-hee’ route. Digestive problems can be very embarrassing and, in some cases, seriously debilitating.

Country Life for Half the Price with Kate Humble – Tuesday, Channel 5, 8pm

According to this series, more and more people are fleeing the pressures of urban life for a different set of pressures in the countryside. 

This week, Humble meets a couple who have prepared for their move to South West Wales by rearing ducks and micro-pigs in their back garden in suburban Reading. They want to live somewhere with fewer people and with more space for themselves and their two young boys. 

Humble follows them – from a safe distance – as they begin their rural adventure during a year of lockdown. All those plans for opening a petting zoo and a crafts workshop have to be put on hold. But they do at least learn how to forage for stuff.

Our Family Farm Rescue with Adam Henson – Tuesday, Channel 5, 9pm

What is it with Channel 5 and farms? They’re obsessed. But if it stops them from making more malicious programmes about travellers and ‘benefit scroungers’, then I for one support their slide into bucolic monomania. 

In the latest episode of this vehicle for Countryfile alumnus Adam Henson, he meets more fellow farmers who have had to change the way they operate in order to survive. 

On the edge of Snowdonia National Park (see Epic Wales for its second starring role in this week’s schedules), a couple who run a traditional sheep and cattle farm are in serious financial trouble. So they’ve hatched a plan to branch out into the luxury glamping game. Cue the construction of a large geo-dome.

Write Around the World with Richard E. Grant – Tuesday, BBC Four, 9pm

In which that most actorly of actors dons a metaphorical panama hat while travelling around sunny mainland Europe in the footsteps of several notable authors. He wants to examine the ways in which they were inspired by various ancient cities of note. 

The series was presumably filmed two years ago, hence why Grant wanders around the busy streets of Naples without a care in the world. The man is positively rammed to the gills with joie de vivre. 

He goes off the beaten tourist track and marvels at the local culture in time-honoured travelogue style, but the programme does concede a few serious points about poverty and corruption. Authors under review include Charles Dickens, Elena Farrante and Elizabeth Gilbert.

Right Here: The Black Veil – Tuesday, BBC Scotland, 10:30pm

A new series of documentaries from emerging filmmakers, Right Here celebrates the diversity of life in modern Scotland. 

It begins with a sweet and tender profile of Bradley, a gender non-binary person preparing for their wedding to partner Emma. This will be the first time that some of their friends and family members will have seen Bradley presenting in female clothing. 

Bradley is also a member of The Order of Perpetual Indulgence, an LGBTQ+ protest group dedicated to “banishing stigma and spreading universal joy”. The film’s title refers to the highest ranking within the order, into which Bradley is about to be initiated. 

A thoughtful and articulate person, all Bradley wants is to be accepted for who they are.

Epic Wales: Valleys, Mountains & Coasts – Friday, Channel 4, 8pm

I’ve barely set foot outside my flat during the last eighteen months, and yet thanks to my dogged pursuit of writing about television, I feel like I’ve seen more of scenic Britain via travelogues than I ever did when life was relatively free and easy. That’s not right. 

This one features suitably awestruck narration from Cerys Matthews, who introduces us to “farmers and fishermen, artists and adventurers, nature savers and stargazers” based in Wales’ three National Parks. 

It’s a standard TV format, you know exactly what to expect, but it works. Programmes such as this depict Britain as a beauteous wonderland populated by nice, interesting people keeping simple traditions alive. They’re a much-needed source of fantasy respite.

LAST WEEK’S TV

Take Off with Bradley & Holly – Saturday 24th July, BBC One

This series was filmed just before the global lockdown. That’s why it happily sends contestants off on luxury foreign holidays. The winning destinations last week were Hollywood and Las Vegas, thus necessitating the presence of a studio-bound Elvis impersonator who looked more like Quentin Tarantino mimicking Neil Diamond. 

Hosts Bradley Walsh and Holly Willoughby are safe pairs of hands, each comfortable in their respective roles. He’s the cheeky chappie who ‘mucks about’, she’s the nice, friendly, daffy one. They’re an inoffensive double-act. 

The show itself is a hodgepodge of familiar Saturday night light entertainment formats – quizzes, pranks, feel-good human interest stories – indebted to the pioneering visions of Cilla Black and Noel Edmonds. I’ve seen worse.

Michael McIntyre’s The Wheel – Saturday 24th July, BBC One

The Saturday fun on BBC One continued with the return of this quiz in which the relentlessly buoyant McIntyre presides over a cabal of celebrities with specialist areas of expertise. 

They’re seated on the perimeter of a large roulette wheel. Members of the public are perched in the centre. The contestants field questions while hoping that the spinning wheel of fortune settles on a celeb who knows their onions. And that’s more or less it. 

The format is far too thin to sustain its 60-minute running time; thirty minutes would more than suffice. Put it this way, it’s no Danny Dyer’s The Wall. Coming soon: John Bishop’s The Rhomboid; Claudia Winkleman’s The Tankard; Ashley Banjo’s The Bath. You get the idea.