Showing posts with label Harry Enfield. Show all posts
Showing posts with label Harry Enfield. Show all posts

Sunday, 23 October 2022

THE LOVE BOX IN YOUR LIVING ROOM | JIMMY CARR DESTROYS ART | KIDS' TV: THE SURPRISING STORY

This article was originally published in The Courier on 22nd October 2022. 

NEXT WEEK’S TV

The Love Box in Your Living Room – Thursday, BBC Two, 9pm

Harry Enfield and Paul Whitehouse’s contribution to the BBC’s centenary is this very funny spoof documentary about the corporation’s history. 

All entirely fabricated, yet partially grounded in reality, it’s presented in the signature style of documentarian Adam Curtis; as we’ve come to expect, the duo's attention to detail is almost entirely flawless. 

Fans of Smashie & Nicey: End of an Era and their fiftieth anniversary ‘tribute’ to BBC Two, Story of the 2s, will know that spoof documentaries are an ideal format for Enfield and Whitehouse. They can pack loads of silly gags into an hour, while also delivering some pointed satire. 

Love Box gleefully mocks the BBC while attacking those who seek to destroy it. There are a couple of gags towards the end that cause some mild tension, but for the most part it's delightful.

Made in the ‘80s: The Decade That Shaped Our World – Monday, Channel 4, 9pm

Deeley Boppers! The Rubik’s Cube! Black Lace! Weren’t the ‘80s great? Such a laugh. Good times. 

That heavy-handed sarcasm will give you an idea of where this new series is coming from. Preview copies weren’t available, but it sounds like a sombre documentary antidote to lazy, trite nostalgia. 

It begins with Britain anxiously awaiting the very real threat of nuclear Armageddon. We’re reminded of the various ad men and artists who reflected that terrifying epoch in their confrontational work. 

It also recounts the story of several brave women who stood up against the American military industrial complex, and an unsung spy who apparently saved us all from oblivion. Fingers crossed, it could be fascinating. 

Jimmy Carr Destroys Art – Tuesday, Channel 4, 9:15pm

Seeing as its only reason for existing is to generate headlines, you’ve probably read about this programme in which Carr, following a no doubt nuanced studio debate about censorship, will literally destroy an artwork created by an awful person. 

The artists under review include Hitler, Picasso and Rolf Harris. 

Yes, I know. Pure Brass Eye

I understand why Channel 4, which turned 40 this year, are doing this. It’s a desperate attempt to remind viewers of its provocative origins. One in the eye for the right-wing politicians who argue that it provides no alternative to its competitors, hence why it should be sold off. 

I don’t want that to happen, obviously, but I daresay this isn’t the ideal form of protest. 

Kids’ TV: The Surprising Story – Wednesday, BBC One, 9pm

The BBC’s centenary celebrations continue with this insightful essay from former Blue Peter presenter Konnie Huq. 

Children’s programmes have always been one of the most important facets of the BBC’s output. They’ve shaped our lives and attitudes. They’ve encouraged diversity and understanding. 

Huq interviews luminaries such as Johnny Ball, Floella Benjamin, Cerrie Burnell, Sarah Greene and Phil Redmond. This is no mere exercise in cosy nostalgia, it’s a considered study of how certain pioneering programme-makers and gifted presenters have made a hugely positive impact on British culture. 

As Redmond, the architect of Grange Hill, says: “Kids’ TV can be pure entertainment, or actually help people navigate society. You’re not alone… everything you’ve been through, somebody else has been through.”

Grand Designs – Wednesday, Channel 4, 9pm

This week, hard-hatted Kevin McCloud revisits Vicky and Ed, who – full disclosure, I’m quoting from the press release here – “in 2015 broke free from the shackles of their hectic London lives to try to build a new life in the Somerset countryside.” 

Pretty much yer standard Grand Designs set-up, and you can absolutely guarantee that McCloud has no memories of Vicky and Ed. These people are just a blur to him. 

Vicky and Ed, like most foolhardy Grand Designs contributors, have invested all their money in a massively ambitious building project. Why bother? Just, if you possibly can, find a decent dwelling and enjoy life. Get a cat. Order some cushions online. No one needs this ridiculous hassle.

Inside Russia: Putin’s War At Home – Thursday, STV, 10.45pm

Another edition of ITV’s award-winning Exposure strand – they broke the Jimmy Savile scandal back in 2012 – this documentary, which was filmed in secrecy, gives voice to defiant Russians who have refused to remain silent in the wake of Putin’s invasion of Ukraine. 

By standing up against their authoritarian ruler, these brave people are risking their lives so that we can gain a greater understanding of the situation. 

One of the key contributors is Vasiliy, a Russian journalist and filmmaker. “All the laws are really vague in Russia,” he says. “To me operating in this kind of environment is very difficult. You start getting a little bit paranoid. It's uncomfortable in an emotional way.” 

Young, Black and Right-Wing – Thursday, Channel 4, 11:05pm

Broadcaster Zeze Millz, who hosts this documentary, is a somewhat controversial figure. A woman of colour, her views are often categorised as right-wing: antithetical to the innate needs and values of her community. 

She regards herself as someone who cannot be easily placed on the political spectrum. Her argument, broadly speaking, is that Black people who have a socially conservative outlook shouldn’t be blithely disregarded as a homogenous sector of society incapable of nuanced debate. That's immensely patronising and reductive.

Millz’s report wasn’t available for preview, so I’m not qualified to comment on what it specifically entails, but it does sound interesting. As always, I bring these programmes to your attention for that very reason.

LAST WEEK’S TV

Hans Zimmer: Hollywood Rebel – Sunday 16th October, BBC Two

This was rather fascinating. Hans Zimmer is one of the most prolific and respected composers of music for Hollywood films and ‘high-end’ television. His work has burrowed its way into our heads over the years. 

Throughout this documentary, Zimmer – an affable, intelligent, sensitive and slightly eccentric character – didn’t seem particularly bothered by the notion of being a fairly anonymous contributor to works of art beloved by millions. He’s secure in the knowledge that his music is an integral part of various significant films and TV shows. His legacy is assured. 

The programme also reminded us that Oscar-winning Zimmer wrote the theme tune for ‘80s daytime quiz show Going for Gold. One helluva career.

Our Jubilee – Sunday 16th October, STV

Screened by ITV as part of Black History Month, this ruminative documentary recounted the stories of various Black British citizens who lived through the late Queen’s reign. 

It was, of course, filmed before she passed away, but that worked in the programme’s poignant favour. The interviewees spoke of her – and what she meant to them - in the present tense, while reflecting upon the last seven decades. Several nuanced thoughts and feelings ensued. 

ITV is often, quite rightly, pilloried for its questionable output, but worthwhile programmes such as this tend to go unnoticed. And that’s probably because ITV stick ‘em out late at night on Sundays. This should’ve been shown at 9pm after Corrie.

Saturday, 7 May 2016

TV Review: THE WINDSORS + GRAYSON PERRY: ALL MAN

This article was originally published in The Dundee Courier on 7th May 2016.


The Windsors: Friday, Channel 4

Grayson Perry: All Man: Thursday, Channel 4

Made by the team behind scattershot celebrity satire Star Stories, The Windsors boasts a similar blend of heightened silliness and healthy disrespect. It’s a brash sitcom in which our beloved Royal Family are depicted as a workshy bunch of freeloaders and functioning alcoholics. Happy birthday, your majesty!

Though framed as a Dallas-style soap parody, that’s really just an excuse for a hit and miss barrage of nonsense. Yes, it ticks off all the usual Royal gags – Harry and William are nice but dim etc. – but it attacks them with relish. It’s not an excoriating or particularly clever satire, but it’s full of crude, amusing energy.

It also subverts the tired comedy notion that Charles is a harmless duffer. Instead it portrays him as a dictatorial bully with a savage sense of entitlement. That alone makes it more interesting than your average Royal spoof.

His fellow antagonists are Camilla, an embittered, power-hungry schemer, and Pippa Middleton, a duplicitous sex-pot. Prince Edward also crops up as a desperate failure. It’s all good fun, although the absence of the Queen and Prince Philip is curious. Aren’t they ripe for parody too?

The writers presumably felt that someone among this motley shower of buffoons had to be vaguely sympathetic, if only so they can fall victim to the cruelty and stupidity of the others.

That honour goes to William and Kate, who are depicted as essentially well-meaning. Kate is ineffably bland, so her character doesn’t work, but full marks to Hugh Skinner (Will, the bumbling intern from W1A) for seizing the role of William – a hapless hero who’d rather fly helicopters than be King – with such dense enthusiasm. It’s the sort of role that Hugh Laurie would’ve nailed in his youth, but Skinner does a fine job.

Harry Enfield is also good value as Charles; his absurd line-readings are a particular highlight. And I’m always pleased to see Morgana Robinson, a comic actress whose devotion to grotesque clowning is admirable. Her own starring vehicles have never matched her talents, but she always adds a peculiar energy in supporting roles.

While no classic, The Windsors does at least milk some barbed comedy mileage from a deserving target.

Be honest, you’d watch a series about Britain’s hardest men hosted by Grayson Perry. Placing the cross-dressing artist in aggressively male environments sounds like a recipe for fish-out-of-water fun. But there’s far more to Grayson Perry: All Man than that.

It’s a thoughtful study of masculinity in which our charismatic host – “a lifelong cissy” – tries to find out why some men feel compelled to be macho. He began his investigation in the violent world of cage fighting, where his own prejudices were challenged by meeting dedicated, articulate athletes with an undercurrent of emotional vulnerability.

His natural ability to relate to anyone he meets triggered the poignant spectacle of one fighter breaking down while discussing his brother’s suicide. As well as providing a surrogate family and sense of self-worth, cage fighting for him was a form of therapy. Perry went on to reveal that 80% of people who kill themselves in the north-east, where the programme was based, are male.

He also illustrated how deprived backgrounds inspired many of these men to channel aggression into something positive. Perry handled this raw subject without a hint of condescension. On the contrary, it was a sensitive, moving, open-minded essay on working-class community pride and the tragic price of male stoicism.

Saturday, 31 May 2014

TV Review: HARRY & PAUL'S HISTORY OF THE 2's/50 YEARS OF BBC2 COMEDY

This article was originally published in The Courier on 31st May 2014.


Harry & Paul's History of the 2's: Sunday, BBC Two

50 Years of BBC2 Comedy: Saturday, BBC Two

Paul Whitelaw

Ever since it first popped into being, BBC Two has enjoyed a deserved reputation as a champion of edgy, innovative, subversive comedy. So it was only fitting that last weekend, in honour of its 50th anniversary, it aired a standalone comedy which, quite without mercy, directly undermined the channel itself.

It probably wasn’t deliberate, but Harry & Paul’s History of the 2’s felt like a scathing lampoon of the celebratory clip show which aired just the night before. Not only that, it openly criticised Two’s decline from “highbrow” bastion of the arts to the confused, identity-free mess that it is today. It was alternative comedy in the truest sense.

Devised by Harry Enfield, Paul Whitehouse and Charlie Higson – who themselves owe Two an enormous debt – it was an irreverent spoof of every predictably compiled arts documentary you’ve ever rolled your eyes at. Linked by a gloriously unhinged performance from Enfield as Simon Schama – the deserted TV Centre backdrop added an unexpected note of poignancy – it attacked practically every sacred cow in Two’s illustrious history.

While some of the sketches felt undercooked and obvious, the unflinching highlights made up for the duds. As they grow older and grumpier, Enfield and Whitehouse have developed an admirable tendency to criticise their comedy peers. Targets included the sainted Pythons’ shameless milking of their own legacy, and the tired, formulaic ubiquity of comedy panel shows. This last sketch was a master-class in savage satire, as it laid waste to the phoned-in shtick of Paul Merton, Alan Davies, Russell Howard et al.

Lest they be accused of high-minded bitterness, they also included digs at their own shortcomings. A Boys from the Blackstuff spoof morphed into a self-deprecating critique of the duo’s reliance on crowd-pleasing catchphrases, while they openly acknowledged that – far from being the work of ground-breaking alternative comedians – Enfield’s sketch shows were essentially as traditional as Dick Emery.

Enfield and Whitehouse have form in this genre. Smashie & Nicey: End of an Era is one of the greatest, yet curiously underrated, spoof documentaries ever made. And sure enough, their careful attention to detail was in abundant evidence throughout. Parodies of everything from The Ascent of Man to The Young Ones used the correct film and video stock: the very best parodies always take time to accurately mimic their source material.

Indeed, this was a programme aimed at an audience steeped in TV history, and as such it was heroically refreshing. Even when the jokes fell flat, I never lost the sense that this was something created by people with huge respect for the medium, and a healthy disrespect for its failings. That deft combination of wry affection and outright mockery is a hallmark of Enfield, Whitehouse and Higson’s work.

This may not rank among their finest work, but it was still a bold, delightful, gag-packed assault on the very art of TV itself.

The real, straight-faced deal, 50 Years of BBC2 Comedy was the usual confection of over-familiar clips and platitudinous talking heads. But it did serve as a reminder that, despite Harry and Paul’s irreverence, Two has produced some of the best comedy ever made.

A welcoming playpen for uncompromising oddballs such as Spike Milligan, The League of Gentlemen and Chris Morris, it’s made an invaluable contribution to popular culture. These days it broadcasts The Great British Bake-Off. What price progress?