Showing posts with label Kirsty Wark. Show all posts
Showing posts with label Kirsty Wark. Show all posts

Saturday, 4 March 2023

GEORGE MICHAEL: OUTED | KATHY BURKE: GROWING UP | FUNNY WOMAN

This article was originally published in The Courier of 4th March 2023. 

NEXT WEEK’S TV

George Michael: Outed – Monday and Tuesday, Channel 4, 9pm

In 1998, George Michael was arrested for committing a so-called lewd act in a Los Angeles public toilet. That scandal could’ve ended his career, but instead he turned it into a landmark moment for gay liberation. He owned it. 

This comprehensive two-part documentary places George’s highly publicised outing in acute sociohistorical context. 

He shot to fame in the 1980s, when the tabloids exploited the AIDS crisis to create a virulently homophobic moral panic. His private anxiety was emblematic of fears within the entire gay community. 

A valuable social document, the programme illustrates the blatantly unethical ways in which certain powerful portions of the media persecute minorities for their own political gain. Its timely subtext is clear.

A Special School – Monday, BBC Two, 7pm

In the final episode of this current series, the staff and pupils of Ysgol Y Deri are nearing the end of summer term. 

Sport’s Day is back for the first time since the pandemic. Egg and spoons abound. As one staff-member notes, these fun little memories will hopefully be something the kids will cherish in their adult lives. 

It’s also time, after months of rehearsal, for the big summer production of Aladdin. 

As always, A Special School illustrates the importance of gently encouraging children with diverse needs towards creative and active endeavours which may allow them to project hitherto untapped facets of their personalities. 

If you’ve seen this show before, then you’ll understand why I repeatedly wax lyrical about it.

Jamie’s £1 Wonders – Monday, Channel 4, 8pm

Cost of living crisis be damned, here comes big-hearted millionaire chef Jamie Oliver to give us some advice about how to survive on a meagre budget. 

The problem with Jamie is that he probably does mean well, but he’s a fundamentally silly man utterly lacking in self-awareness. So ostensibly good-natured ventures such as this always come across as blunderingly offensive. He has no real idea of how much we’re all struggling. 

Anyway. In episode one, he faffs about with some chickens, pizzas and pancakes. He also calls upon his old pal Gennaro Contaldo to share some tips on traditional Italian cooking. Those tips don’t involve toast and baked beans, so I found myself lost from the outset.

Kathy Burke: Growing Up – Wednesday and Thursday, Channel 4, 10pm

Kathy Burke, like most decent people of sound mind, would balk at being described as a national treasure. And ‘balk’ is a polite way of putting it. Nevertheless, Burke is rightfully beloved. 

She doesn’t project a cynically contrived persona, she’s a genuinely frank, funny, kind and inquisitive person who has no time for narrow-minded nonsense. Hence why she’s carved a successful career in semi-retirement as the host of documentaries such as this, in which she challenges negative stereotypes about people old and young. 

While confronting the realities of ageing and death, she examines the inherent difficulties of young adulthood in the 21st century. It’s a typically insightful and humane essay, shorn of all the usual clichés.

Cold Case Detectives – Thursday, STV, 9pm

Carol Ann Stephens was murdered in Cardiff in 1959. She was six-years-old. Her killer has never been found. This new series attempts to find some justice for Carol at last. 

I’m generally disinclined to recommend programmes of this nature, as they’re quite distressing for obvious reasons. So with that in mind, please tread carefully. 

In episode one, we’re introduced to a detective who was childhood friends with Carol. We also follow, throughout the series, cold case detectives and forensic experts as they revisit old crime scenes, interview new witnesses and unearth crucial pieces of information. The team also investigate some other historic murders. 

Funny Woman – Thursday, Sky Showcase, 9pm

Based on the novel by Nick Hornby, this likeable comedy-drama stars Gemma Arterton as Barbara, a mid-1960s Blackpool beauty queen who flees to Swinging London. Inevitably, she discovers that London only swings for those who can afford it. 

Barbara is determined to do something with her life, but has no real idea of what that might be. She idolises Lucile Ball. Perhaps she could be Britain’s answer? 

Adapted by that great comic actor and writer Morwenna Banks, Funny Woman is a warm, witty, charming tribute to our estimable comedy heritage. Arterton proves once again that she’s a talented comic performer, and Rupert Everett has an absolute whale of a time as an ageing showbiz impresario.

Becoming Frida Kahlo – Friday, BBC Two, 9pm

Frida Kahlo is widely regarded as one of the most significant artists of the 20th century. But that wasn’t the case during her lifetime. This beautifully-made three-part profile pays homage to a truly transgressive artist. 

It begins at the beginning, with a young Mexican girl growing up in a time of revolution. Those formative experiences inspired her uncompromising independence and iconoclasm.

Programmes of this nature often rely on lazy platitudes, they tell the stories of ‘icons’ in a superficial way, but this one is different. It’s curated by people who understand why Kahlo was so important. They never forget that she was an actual human being, not just some sort of symbolic legend. 

LAST WEEK’S TV

Endeavour – Sunday 26th February, STV

Here we are then. It’s the final series of this Inspector Morse prequel, which began way back in 2012. Naturally, some Morse fans were sceptical at the time. Do we really need a detailed backstory for this quietly enigmatic detective? Aren’t some mysteries best left unsolved? 

Well, I’m no Morse purist, but from where I’m standing Endeavour never sullied the legacy of one of TV’s most beloved coppers. It was made with evident care and respect for, not only John Thaw’s iteration of the character, but for the quietly ingenious spirit of Morse creator Colin Dexter. 

Youngish Morse’s latest case, which took place in 1972, was a typically diverting and elegant piece of superior Sunday night clue-sniffery.

The Women Who Changed Modern Scotland – Tuesday 28th February, BBC Scotland

Chapter two of Kirsty Wark’s enlightening essay travelled through the 1980s and 1990s, a bold new era of opportunities for women. Or so they were told. In fact, the struggle for equality was far from over. Sexism, misogyny, harassment and domestic abuse were still rife. 

Wark’s interviewees included the daughter of Jean Porcelli, who fought a landmark sexual harassment case which changed the law for women across Britain, and Karen Koren, the Gilded Balloon artistic director who encouraged so many women to blaze a trail through comedy. 

Wark also told the story of Anne Hepburn, whose feminism shaped her quest for more inclusivity in the Church of Scotland. 

All three episodes of this excellent series are currently available on iPlayer. 

Sunday, 19 February 2023

A SPECIAL SCHOOL | THE WOMEN WHO CHANGED MODERN SCOTLAND | THE GOLD

This article was originally published in The Courier on 18th February 2023.

NEXT WEEK’S TV

A Special School – Monday, BBC Two, 7pm

Penarth’s Ysgol y Deri is Britain’s biggest special education school. It remained open during the pandemic to provide support for the children of key workers. 

In series two of this uplifting documentary, staff and pupils are preparing for their annual Christmas pantomime. They’re also about to enjoy the first school trip since 2019. 

This isn’t merely a job for the staff, they’re devoted to the welfare and development of the children placed in their care. The headmaster, an abundantly kind and decent man, is even moved to tears at one point. 

One of his colleagues sums up their commendable mission statement: “School is very structured, a safe place, but we want them to take those skills into the real world.”

Inside Our Autistic Minds – Tuesday, BBC Two, 9pm

In the second and final episode of this sensitive series, Chris Packham meets more people who are, like him, on the autism spectrum. 

His interviewees this week are an aspiring teenage rapper, and a teaching assistant who moonlights as a trance DJ. They both love music, but that passion triggers a certain set of problems. 

Packham assists them in the making of personal short films designed to educate their classmates, colleagues and us. This is how they see and hear the world. It’s a touching, candid exercise. 

Packham also spends some time with an expert in autistic hypersensitivity, and a doctor who helps our host to understand his own need for precise daily order.

The Dangerous Rise of Andrew Tate – Tuesday, BBC Three, 10pm

Andrew Tate is a vile misogynist influencer who commands a legion of radicalised male followers. A fascistic cult. 

Two months ago, in his adopted home of Romania, he was arrested on suspicion of human trafficking. This disturbing documentary follows journalist Matt Shea as he gains highly restricted access to Tate’s Romanian compound. 

Tate has zero self-awareness, so he presumably regarded this venture as yet another piece of cleverly controlled self-promotion. Shea, in his quietly Theroux-esque way, encourages Tate to dig an even deeper hole for himself. 

Most importantly of all, we hear from some of the traumatised women who allege abuse by this toxic grifter. Tate’s empire may be crumbling, but what he represents is still frighteningly prevalent.

The Women Who Changed Modern Scotland – Tuesday, BBC Scotland, 10pm

This fascinating series celebrates many of the great Scottish women who, over the last 50 years, have challenged the patriarchy. 

It’s a valuable social document in which our empathetic host Kirsty Wark traces an ongoing battle for equal rights. 

Her odyssey begins in the 1960s, when female footballers weren’t allowed to compete officially. 

From there we progress towards the pioneering efforts of some heroic feminist politicians, a group of slyly empowering journalists who worked on teen mag Jackie during its 1970s heyday, and the origins of Scottish Women’s Aid, a vitally important charitable organisation devoted to the prevention of domestic abuse. 

Societal attitudes have improved, at least to an extent. Wark and co explain why that shift had to happen.

Untold: Help! My Home is Disgusting – Tuesday, Channel 4, 11:05pm

When Kwajo Tweneboa shared the nightmarish details of his social housing situation online – imagine a miasma of cockroaches, mice, mould and overflowing toilets – he was inundated with responses from people struggling in similarly unacceptable environments. So much so, he is now a high-profile social housing campaigner. 

In this documentary, Tweneboa visits people living in various states of utter despair. Whenever they confront their landlords, they are ignored. Pay your rent, or get out. 

Tweneboa’s report highlights the direct correlation between dismal living conditions and the exacerbation of severe mental health issues. He also exposes the sheer number of complaints aimed against some of the biggest housing associations.

The Supervet: Safari Special – Thursday, Channel 4, 9pm


Professor Neil Fitzpatrick, the Supervet himself, is one of television’s most benign and genuinely helpful resident experts. Should your domestic animal friends ever find themselves in times of trouble, Fitzpatrick is the softly-spoken physician you’d want by their side. 

In this Very Special Episode of his long-running vehicle, he ventures off to South Africa.

Fitzpatrick is renowned for his neurosurgical and orthopaedic innovations, he’s improved the lives of countless small animals, but he’s never dealt with anything on this particular scale before. 

While working and learning alongside a dedicated South African team who deal with big cats etc. on a daily basis, he emphasises the importance of protecting these magnificent creatures.

Life and War: Ukraine A Year On – Thursday, STV, 9pm

ITV's Global Security Editor Rohit Kachroo has witnessed the invasion of Ukraine first–hand. In this report, he interviews civilians, medics and soldiers, all of them fighting desperately for survival. 

When Russia invaded Ukraine, the country mobilised to defend itself. It was not, as Putin presumably expected, immediately overcome. Millions fled the country, but many more stayed to face their invaders. 

Preview copies of this programme weren’t available, so I’m obviously not qualified to comment upon its specific contents. But I don’t need to stress why I’m bringing it to your attention. 

ITV, self-evident faults and all, is rightfully renowned for its occasional sober detours into investigative journalism.

LAST WEEK’S TV

The Gold – Sunday 12th February, BBC One

A six-part dramatisation of the Brink’s-Mat robbery, that notorious 1983 heist in which a criminal gang stole a stack of gold bullion worth £26 billion, The Gold is presented neither as a celebration nor outright condemnation. 

Written by Neil Forsyth of Bob Servant and Guilty renown, it’s a nuanced piece about some desperate men struggling under the yoke of Thatcherism. Forsyth doesn’t ask us to sympathise with them unequivocally, but he places their actions in thoughtful socio-political context. 

It’s a fascinating saga, recounted with Forsyth’s usual wit and flair. Also, hats off to the production team for capturing the uniquely overcast aesthetic of early 1980s television dramas shot on film. 

Better – Monday 13th February, BBC One

Would a corrupt cop and an organised crime boss really conduct their clandestine affairs with such wantonly face-to-face abandon? That’s what I found myself dwelling upon after episode one of this watchable, if not entirely plausible, thriller. 

DCI Slack (Leila Farzad) and Col McHugh (Andrew Buchan) are indebted to each other. They’ve been in cahoots for years, but a series of unfortunate events places their relationship in jeopardy. 

Better demands that we suspend a considerable amount of disbelief, which isn’t a great starting point for any drama. It may, however, develop into a serviceable potboiler. 

Farzad and Buchan are solid, and the script is etched in pleasingly sardonic shades of the recently departed Happy Valley.