Showing posts with label Richard Ayoade. Show all posts
Showing posts with label Richard Ayoade. Show all posts

Saturday, 20 November 2021

THE HUNT FOR BIBLE JOHN + LINDISFARNE'S GEORDIE GENIUS: THE ALAN HULL STORY + SCOTLAND'S BEST DOG

This article was originally published in The Courier on 20th November 2021.

NEXT WEEK’S TV

The Hunt for Bible John – Monday, BBC Scotland, 9pm

The notorious serial killer known as Bible John murdered at least three women in late '60s Glasgow. To this day his identity remains a mystery. 

It’s a horrifying case, but this two-part series doesn’t wallow in the grisly details. On the contrary, it’s a sensitive and responsible piece of work; a serious endeavour that places the murders in vivid sociohistorical context. 

It unfolds in a dismal post-war environment blighted by extreme poverty and violence, where working-class kids lived for the freedom of dancing at the weekend. Busy dancehalls such as the Barrowlands were where Bible John found his victims. 

The series also provides fascinating insight into the working methods of '60s crime reporters and the terminology they used. 

The Princes and the Press – Monday, BBC Two, 9pm

Princes William and Harry have, to say the least, weathered a difficult relationship with the media. Whatever your opinion of the Royal family, I think most reasonable people agree – on an instinctively empathetic level – that they’ve been treated unfairly at times.

In this two-part series, the BBC’s Media Editor Amol Rajan apparently highlights some of the illegal activities used by certain portions of the press during their ongoing race to present exclusives. I haven’t seen the programme, it wasn’t available at the time of writing, but I’m flagging it up because it sounds quite interesting. Apologies if it isn't.

Along for the Ride with David O’Doherty – Monday, Channel 4, 10pm

The whimsical Irish comedian David O’Doherty is a keen cyclist. This new – if you will – vehicle follows him as he enjoys a series of scenic bicycle rides with various celebrity chums. 

His first guest is comedian Richard Ayoade, a naturally funny man with, as it turns out, surprisingly sturdy thighs. He and O’Doherty cycle through an area of rural Sussex while shooting the gentle breeze. Occasionally they park their bikes to visit tearooms or toast marshmallows around the fire. You get the pretty picture. 

It’s blatantly indebted to the likes of Jerry Seinfeld’s Comedians in Cars Getting Coffee and Mortimer & Whitehouse: Gone Fishing, but that’s fine. It’s a genial time-passer.

The Outlaws ‐ Monday, BBC One, 10:35pm

In the penultimate episode of this enjoyable comedy-drama, troubled influencer Lady Gabby (Eleanor Tomlinson) takes lawyer Greg (writer/director Stephen Merchant) to meet her formidable aristocratic father, who’s played by very special guest star Richard E. Grant on reliably frost-veined form. 

Meanwhile, we learn a little bit more about endearingly desperate and officious community service supervisor Diana (Jessica Gunning, an excellent yet underrated comic actor). 

It’s a pleasure spending time with these characters, all of whom are fundamentally lost and looking for acceptance. Merchant clearly likes them, he’s not in the business of belittling his creations. 

You can currently watch all six episodes on iPlayer. And it’ll be back next year for another series. See, sometimes good things can happen.

Dolly: The Sheep That Changed the World – Tuesday, BBC Scotland, 10pm

In 1997, scientists in Scotland created the first ever clone of an adult animal. This major breakthrough made headline news around the world and sparked an often incendiary debate.

Told via contributions from the pioneering lab-dwellers themselves, this documentary traces their process while investigating the aftermath. The genetically-engineered birth of Dolly proved controversial; critics rang alarm bells about its potentially terrifying repercussions. 

Needless to say, the boffins weren’t mad scientists hell-bent on creating a master race. Their work was geared towards helping people with genetic disorders such as cystic fibrosis and Parkinson’s. 

My only criticism of this otherwise revealing programme is its chortling treatment of animal rights activists, which comes across as cheap and unnecessary. 

Paul O’Grady: For the Love of Dogs – Wednesday, Channel 4, 8pm

One gets the impression that O’Grady – officially TV’s kindest human – would gladly host this long-running series exclusively for the rest of his professional life. No wonder, it’s a dream gig. 

During this week’s visit to Battersea Dogs & Cats Home, O’Grady meets a Shih Tzu puppy called Daisy who is in urgent need of delicate liver surgery. The other stars of the show are Marley and Maisy, an unusually timid pair of tiny Chihuahuas who are going through the gradual process of being socialised, and the lovably large and boisterous Lizzie; in many ways the ultimate dog. 

As always, there’s no need to worry: nothing bad ever happens in O’Grady’s canine wonderland. Happy tail-wagging endings abound.

Lindisfarne’s Geordie Genius: The Alan Hull Story – Friday, BBC Four, 9pm

We’ve all heard of 1970s folk-rockers Lindisfarne, but what do we know of the man who shaped their earthy, lyrical sound? Alan Hull died in 1995 at the tragically young age of 50. This illuminating documentary gives him his due. 

Hull comes across as quick-witted, charismatic and exceptionally talented; a working-class poet with dedicated socialist principles. Fellow Geordie Sting describes him as “our Bob Dylan”, which is apt enough, but he strikes me as more of a Tyneside Ray Davies. 

The programme doesn’t shy away from the fact that he was a mercurial heavy-drinker, but he was clearly an endearing character. I guarantee that this labour of love will encourage you to dig deeper into his work.

LAST WEEK’S TV

The Lakes with Simon Reeve – Sunday 14th November, BBC Two

Reeve’s latest series takes place in and around The Lake District, England’s largest national park. As a presenter, this seasoned traveller is defined by his concern for people and their surroundings. He’s a wise and considerate soul. 

In episode one he highlighted various environmental and social issues, the underlying theme being the sustainability of life for those people who live and work there all year 'round; his dig at wealthy visitors and second homeowners wasn’t belaboured, it fed naturally into his overall point about preserving traditional ways of life while welcoming progress to a certain practical extent. 

Reeve knows how to get his compassionate political points across within the confines of an ostensibly cosy BBC travelogue. A neat trick.

Scotland’s Best Dog – Thursday 18th November, BBC Scotland

Proud owner of the greatest title in television history, this delightful new series is simplicity incarnate. It’s a low-stakes competition in which dogs are encouraged to complete a series of benign challenges. They aren’t placed under any pressure at all, nor are their adoring human cohabiters. 

The series, which is filmed in a Perthshire park, is basically the anti-Crufts. It has nothing to do with pedigree, grooming or deportment; there’s no show dog elitism here, folks. These are pooches for the many, not for the few. 

It also contains some handy advice on how to maintain their health and happiness. What’s not to like? It’s a splendid piece of relatively cheap and irresistibly cheerful family entertainment.

Monday, 26 June 2017

TV Review: PITCH BATTLE + THE CRYSTAL MAZE

This article was originally published in The Courier on 24 June 2017.


PITCH BATTLE: Saturday, BBC One

THE CRYSTAL MAZE: Friday, Channel 4


A new definition of TV Hell: when Gareth Malone, an odious narcissist with no shame whatsoever, feels desperately compelled to defend an embarrassing musical performance as “not embarrassing”.

Malone is one of the judges in PITCH BATTLE, a punishingly formulaic singing competition in which 30 amateur vocal harmony groups compete for a cash prize of £50,000. Given the size of most of these groups, that’s about a fiver between them.

The aforementioned performance, so toe-curling it made even Malone look askance, epitomised the, ah, fundamental conceptual flaws of this show.

A group of nice older women, sensibly clad in black evening gowns, unleashed a shrill version of I’m Too Sexy while their immediate rivals, a young gospel group, responded with No Scrubs.

This mystifying display of vocal combat climaxed with the supposedly humorous spectacle of a woman resembling Gloria Hunniford dropping her mic to the floor, diva style. How delightfully incongruous!


There, in a curdled nutshell, was the indefensible problem with, not only Pitch Battle, but that whole cosy, condescending, Middle England miasma of light-entertainment whimsy spearheaded by The Great British Bake Off (the host of Pitch Battle is, of course, Mel Giedroyc, a robotic mother hen who emits manufactured enthusiasm like the paid-up company gal she is).

Malone, the nation’s self-appointed teacher’s pet, is the featureless face of this virulent pandemic, so no wonder he’s involved.

Shamelessly indebted to the success of Glee and the Pitch Perfect film franchise, the pitifully unoriginal Pitch Battle is so half-baked it barely has enough energy to sustain 10 minutes, let alone its interminable 90 minute running time.

Disingenuously marketed as an A Capella singing contest, it actually features groups performing to instrumental backing tracks. The supposed tension and spontaneity of the “Riff Off” round – a concept stolen wholesale from Pitch Perfect – is fatally undermined by the blatantly rehearsed medleys which ensue from a “random” selection of themes (one of which, incidentally, is ‘Fire’, hence why the first episode was rescheduled in the wake of the Grenfell Tower tragedy).

It is, like all of these increasingly redundant post-Cowell talent shows, a facile celebration of bland competency; a dispiriting facsimile of the uplifting power of the human voice.

However, it did force me to access previously untapped reservoirs of sympathy for Malone’s fellow judge, Will Young. Dressed, for some reason, like a Nazi dentist, the affable former pop idol looked understandably lost as he struggled to say something meaningful about the forgettable acts paraded before him.


Look into his tired eyes, and his pleading message is poignantly clear: Be careful what you wish for, pop kids. This is the fate that awaits you.

A fondly-remembered ‘90s sensation, adventure game show THE CRYSTAL MAZE has returned under the auspices of new host Richard Ayoade. Wisely, the format hasn’t been tinkered with. The various worlds within the maze look superb. Ayoade’s trademark shtick of detached irony and semi-benign sarcasm is a natural fit. It should, in theory, work a treat.


Unfortunately, this revival kicked off with a minor celebrity edition in which they struggled at length to solve even the most rudimentary puzzles. Quick-witted Ayoade’s increasingly exasperated, apologetic asides to the audience could barely disguise his genuine disdain for this edition’s lack of entertainment value.

Hopefully, when actual members of the public get involved, the show will regain its lustre. Or will they, in this post-reality TV age, also be a bunch of attention-seeking idiots? 

If so, Ayoade’s inevitable despair should at least prove amusing.