This article was originally published in The Courier on 25th January 2020.
NEXT WEEK’S TV
THE WINDERMERE
CHILDREN
Monday,
BBC Two, 9pm
A
series of programmes commemorating 75 years since the end of the Holocaust
begins with this haunting factual drama. When peace was declared in 1945, the
British government agreed to give refuge to 1000 child survivors of the Nazi
concentration camps. 300 of them were brought to a wartime housing estate near
Lake Windermere. Utterly traumatised, they struggled to acclimatise to the very ideas of liberty
and kindness. The counsellors responsible for rehabilitating them soon became
aware of how incredibly difficult that task would be. You can never fully
recover from such a harrowing ordeal, but hopefully you can live again. A
powerful piece, The Windermere Children
features a cast of fine young actors plus seasoned pros such as Romola Garai
and Iain Glen.
BELSEN: OUR STORY
Tuesday,
BBC Two, 9pm
British
citizens who survived Belsen return to the site in this starkly descriptive
documentary. Although Belsen wasn’t equipped with gas chambers, it was Hell on
Earth. Inmates fending for their lives were surrounded by rotting corpses. The
stench of sickness and death was everywhere. It’s also a horrifying symbol of how The Final
Solution unravelled towards the end of the war. A landmark report by journalist
Richard Dimbleby, who was there when the British army liberated Belsen, informed
the world at large about the full extent of Nazi atrocities. The army were so
horrified by what they found, they burned the camp to the ground. Documents
such as this ensure that it will always exist. It will never – must never – be
forgotten.
AUSCHWITZ UNTOLD: IN
COLOUR
Wednesday,
Channel 4, 10:30pm
Against
a backdrop of subtly colourised archive footage, this immersive film focuses on
some of the last remaining Auschwitz survivors. The colourisation aspect isn’t
a cheap gimmick. It is, like Peter Jackson’s WWI documentary, They Shall Not Grow Old, a sensitive and
effective way of bringing ghosts back to life. The survivors provide
devastating accounts of life in the Nazi’s most notorious extermination camp; It was a nightmare reality, a perpetual onslaught of fear and degradation. One
woman sums up the appalling uncertainty they endured when she recalls being led to their weekly
shower: they never knew if cold water or gas was going to emerge from the
showerheads. If it was water, they knew they’d live for at least another week.
FARAGE: THE MAN WHO
MADE BREXIT
Wednesday,
Channel 4, 9pm
When
Nigel Farage agreed to let documentary filmmaker Christian Trumble follow him
throughout last year’s disastrous Brexit Party campaign, he presumably
considered it a canny PR move. Instead he comes across as a sad, thin-skinned, petulant, gravy-stained opportunist. It’s hilarious, a staggering own goal.
Trumble confirms that this amphibious bigot is a career politician who claims
he’s anything but; a self-proclaimed man of the people who has repeatedly
failed to be elected by them; a privileged member of the elite who presents
himself as anti-establishment (the film’s central theme is his desperate need
to be accepted by Johnson’s government). Farage has served his ruinous purpose,
now he’s surplus to requirements. America, you can have him.
LAST WEEK’S TV
DOCTOR WHO
Sunday
19th January, BBC One
This
episode was always going to be an improvement on the howling debacle that
preceded it. It couldn’t possibly be any worse. Even so, the Doctor’s encounter
with pioneering yet somewhat unsung electrical engineer and inventor Nikola
Tesla was a solid episode in its own right. A pleasingly straightforward pseudo historical, it was informative, educational and entertaining. Yes, even that
raddled old fascist Lord Reith would’ve grudgingly approved.
TRAVELS IN EUROLAND
WITH ED BALLS
Thursday
23rd January, BBC Two
How
did this happen? Ed Balls, a risible politician who no one liked, is now an
affable media personality. The Portillo Effect. These careerists never truly
fail or disappear, they just adapt and reinvent themselves. This series does at
least attempt to address the scarifying rise of populist far-right parties in
Europe, but it’s really just a jolly travelogue with ideas above its station.
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