Showing posts with label Richard Osman. Show all posts
Showing posts with label Richard Osman. Show all posts

Saturday, 19 February 2022

THE LAST STONE + MISSION JOY WITH ARCHBISHOP DESMOND TUTU & THE DALAI LAMA + LOUIS THEROUX'S FORBIDDEN AMERICA

This article was originally published in The Courier on 19th February 2022. 

NEXT WEEK’S TV

The Last Stone – Tuesday, BBC Scotland, 10pm

This expertly crafted documentary recounts the uplifting saga of the British women’s curling team who triumphed at the 2002 Winter Olympics in Salt Lake City, Utah. Those four great Scots made history: they were the first British women’s team to win gold in any Olympic event. 

The programme reminds us that curling was once regarded, if it was even regarded at all, as a niche and rather quirky sport; a parochial Scottish concern. Rhona Martin and her teammates changed all that. They captured the nation’s attention and affections: millions watched the nail-biting final live on BBC One. 

Not only is this a tremendous feel-good underdog story, it’s also a significant moment in the evolution of women’s sport.

Richard Osman’s House of Games – Monday to Friday, BBC Two, 6pm

Osman, that avuncular Grand Poobah of undemanding teatime trivia, returns for another weeklong showdown between four previous House of Games winners. They are: comedians Angela Barnes, Kemah Bob and Adrian Edmondson, plus his actor daughter Beattie. 

Barnes is a record-breaking five times champ who knows her pop culture inside out, so much so that you almost get the sense she’s politely holding back at times, lest she hog the limelight by knowing all the answers. 

As for the game itself, well you have to admire a quiz that features a rhyming round linking Hemingway’s Old Man of the Sea to the advertising slogan ‘buy one get one free’. And remember, please do play along at home.

Rise of the Nazis: Dictators at War – Monday, BBC Two, 9pm

Chapter two of this insightful psychological study of Adolf Hitler and his fascist enablers begins with the newly self-appointed Commander in Chief of the German Army doubling down in his efforts to defeat Stalin. 

But he needs a new Machiavellian yes man by his side, as Goering has proved ineffectual. Enter Nazi architect Albert Speer, who despite his lack of military experience proves effective in facilitating Hitler’s demands. 

Meanwhile, the equally deranged Stalin draws up plans for a huge military offensive aimed at driving Hitler’s army from the Soviet Union. But when he’s told by one of his top generals that the operation is doomed, a furious Stalin takes matters into his own hands. Devastating carnage ensues.

Jobfished – Monday, BBC Three, 9pm

Investigative journalist Catrin Nye has spent the last year trying to find out how so many young people ended up working for Madbird, a supposedly successful graphic design agency that doesn’t actually exist. 

The Madbird website boasted an impressive roster of clients. It all looked legit. For several months the new sales team worked hard on a promise of commission – they never actually met anyone from the company in person - but in fact the whole thing had been set up to steal their ideas. Hugely out of pocket, they felt angry and humiliated. 

So just who was behind this elaborate online con, which cruelly took advantage of unemployed people during lockdown? Nye eventually tracks him down in classic door-stepping style.

Moors Murders – Monday, Channel 4, 9pm

This new series gains access to letters written by Britain’s most notorious serial killers, Ian Brady and Myra Hindley. It’s a chilling tale of two psychopaths who never exhibited the slightest hint of genuine remorse – the letters reveal them blaming each other for entirely self-serving reasons – but it also grants insight into their attempted coercion of Hindley’s brother-in-law David Smith. 

In 1965, Smith witnessed Brady murdering teenager Edward Evans. Frightened for his life, he helped Brady and Hindley clean up the crime scene. “I would’ve done anything just to get out of that house,” he says in an archive interview (Smith died in 2012). Once he’d escaped, Smith called the police. Brady and Hindley were subsequently arrested.

Mission: Joy with Archbishop Desmond Tutu and the Dalai Lama – Wednesday, BBC Four, 10pm

In 2015, two great humanitarians sat down for a filmed conversation full of mutual respect and affection. This cheering documentary is the result. 

Tutu (who passed away on Boxing Day 2021) and the Dalai Lama were avuncular kindred spirits: or, in their shared description, “mischievous spiritual brothers”. The holy man banter flows freely as they hold hands, crack jokes and spread their message of tolerance and kindness in the face of adversity. 

You may find yourself agreeing with their steadfast belief that most human beings are fundamentally decent and compassionate. We live in a cruel and unjust world, Tutu and the Dalai Lama are all too aware of that, but their wit, warmth and wisdom are highly persuasive.

#CancelKarenDunbar – Thursday, BBC Scotland, 10pm

Karen Dunbar presents this well-meaning yet confused documentary in which she argues that, during her early ‘00s heyday, comedy was allowed to be “controversial, contentious and occasionally offensive.” 

Not like now, apparently (the programme conveniently ignores the continuing popularity of ‘edgy’ comics such as Frankie Boyle, Jimmy Carr and Ricky Gervais).

It pivots around the false premise that cancel culture is muzzling so-called provocative comedy. Is it? Neither Dunbar nor her interviewees provide any evidence of this actually being the case. 

Our host is a likeable and thoughtful person, but she frets too much and her frustratingly vague report chases its tail while inadvertently fanning the flames of bogus culture war baloney. A missed opportunity.

LAST WEEK’S TV 

Louis Theroux’s Forbidden America – Sunday 13th February, BBC Two

Theroux’s latest series began with a despairing report on the vile young online figureheads of America’s far right movement. 

Racist, homophobic and misogynistic, they’re trying to rebrand themselves as ‘ironic’ social commentators as opposed to outright white supremacists, but that veneer is so transparent it didn’t take much for Theroux to trigger them with his typically direct line of questioning. 

Obnoxious, thin-skinned, hate-fuelled cry babies who crave validation, these dangerous losers are the biggest ‘snowflakes’ of all. They simply cannot handle being challenged on any level. No wonder Trump is their spiritual king. 

Theroux effortlessly exposed their contradictions and lies. He allowed them to express their freedom of speech while offering his right to reply. Democracy in action.

The Most Beautiful Boy in the World – Sunday 13th February, BBC Four

Swedish actor Bjorn Andresen starred as a teenage object of desire in Luchino Visconti’s 1971 film Death in Venice. Visconti ‘discovered’ him during a nationwide search to find a flawless vision of beauty. Andresen became an overnight sensation, but fame proved fleeting. 

This haunting, if flawed, documentary revealed what became of him. Andresen has struggled with depression and alcoholism. His life has been beset by personal tragedy. He came across as a vulnerable soul whose unwanted period of fame - during which he was treated as a sexualised commodity - exacerbated pre-existing traumas. 

But I couldn’t shake the feeling that he was being exploited all over again. I hope he doesn’t add this film to his list of regrets.

 

 

Saturday, 25 September 2021

DON'T EXCLUDE ME + 28 UP: MILLENNIUM GENERATION + HITMEN RELOADED

This article was originally published in The Courier on 25th September 2021.

NEXT WEEK’S TV

Don’t Exclude Me – Thursday, BBC Two, 9pm

The rate of school exclusions in Britain for five to six-year-olds has doubled in the last three years. This sensitive new series visits a primary school which, like so many schools, struggles to cope with the extreme behaviours of certain pupils. 

Enter the aptly-named behavioural expert Marie Gentles, who has spent the last ten years working with excluded children. She gradually forms close professional relationships with the kids, their parents and teachers, in the hope of making life better for all concerned. 

The children she meets come across as bright and sensitive, but they’re prone to sudden angry outbursts; no one so far has been able to explain why. Gentles, a beacon of kindness, works realistic wonders.

The Goes Wrong Show – Monday, BBC One, 8:30pm

The Mischief Theatre company are renowned for their knockabout send-ups of incompetent amateur dramatic productions. I’m reliably informed that their live shows are great fun, but my only exposure to them has been via these middling TV adaptations. Something has presumably been lost in translation. 

It strikes me as a purely theatrical conceit, ill-suited to the necessary constraints of being filmed in a television studio. The blatantly tweaked audience laughter track doesn’t help. 

I don’t want to be too down on this utterly harmless show, it’s an agreeable enough piece of family entertainment written and performed by a capable cast. Unfortunately, for me, the joke wears thin in this context. It’s like an overextended Crackerjack sketch. Great. I feel terrible now.

24 Hours in Police Custody – Monday, Channel 4, 9pm

Please take heed: this is a particularly gruelling episode of a series that’s seldom upbeat at the best of times. It chronicles the case of a man who, in broad daylight, invaded a house and brutally assaulted the inhabitants: a woman, her daughter and teenage grandniece. 

The police captured a clear image of the attacker on CCTV: a brothel owner and human trafficker with a string of GBH offences. They also had his fingerprints. Unfortunately, the investigation was placed in jeopardy when an understandably angry and entirely well-meaning family member shared the CCTV footage on social media. He also offered a £20,000 ransom award. Naturally, the attacker fled the country. 

An uncomfortable hour of television. Don’t have nightmares.

28 Up: Millennium Generation – Wednesday, BBC One, 9pm

A 21st century spin-off from Michael Apted’s seminal 7 Up project, this valuable social document has now reached its fourth chapter. 

You know the premise: British kids from various walks of life are filmed at seven-year intervals; an anthropological study that tells us something about the ways in which society has changed during their lifetimes. 

Episode one catches up with Sanchez, who is now a Black Lives Matter campaigner and a DJ for BBC Leeds. We also reconvene with Gemma, a disabled woman who works with children from disadvantaged backgrounds, and Courtney, a trainee teacher devoted to pupils with additional needs. 

Call me a pie-eyed optimist if you will, but this generation provides some hope for the future.

Hollington Drive – Wednesday, STV, 9pm

Set in an idyllic suburb where most of the dwellings look like luxury show homes, this psychological thriller stars Anna Maxwell Martin and Rachael Stirling as sisters with a tense, brittle relationship. 

When a 10-year-old boy goes missing from the neighbourhood, Theresa (Maxwell Martin, excellent as always) begins to suspect that her son might be involved. This is one of those chilly dramas in which no one really seems to like each other. That constant buzz of passive-aggression is quite exhausting. 

Despite the sombre subject matter and gradual drip-feed of murky secrets, it’s curiously opaque and uninvolving. Imagine an unusually depressing episode of Knot’s Landing, then decide if that’s something you want to watch.

Hitmen Reloaded – Sky Showcase, 9pm

The cuddly comedy duo of Mel Giedroyc and Sue Perkins playing killers-for-hire is a daft, intriguing premise, and it was exploited to reasonable effect in series one of this sitcom. Now they’re back for another run. 

A black farce with a dash of warmth, it posits Mel and Sue as assassins who treat their job as exactly that: a workaday way of paying the bills while dealing with far bigger problems in their personal lives. 

Mel and Sue are a likeable team who’ve developed a natural chemistry after years of working together. They convince as daffy old middle-aged pals, because that’s what they are. And Sue is a surprisingly effective kick-ass action hero.

Richard Osman’s House of Games Night – Friday, BBC One, 8:30pm

An early evening cult hit of sorts on BBC Two for the last few years, Richard Osman’s House of Games is an inoffensive fancy in which celebrities compete via ‘esoteric’ trivia rounds. Last year during lockdown it filled an emergency gap on BBC One, which was presumably successful enough to warrant another series. 

So here he is, the enormous funster, presiding over the likes of Dara O’ Briain and Sian ‘Car Share’ Gibson as they attempt to answer questions about the unrelated provenance of test tube babies and the Teletubbies. 

It is what it is: a cheap, cheerful Friday night parlour game wreathed in whimsy. And well done to those of you at home who get the right answers.

LAST WEEK’S TV

When Nirvana Came to Britain – Saturday 18th September, BBC Two

We all know the story of how Nirvana, three nerdy punks from Seattle, became the world’s biggest band in the early 1990s. A brief freak triumph; an almost accidental assault on mainstream culture which ended in tragedy. 

But this decent little documentary reminded me that Nirvana were just a bunch of goofy, sensitive, talented kids who struck a nerve. They weren’t revolutionaries on a firebrand mission, they were ordinary human beings who made fellow outsiders feel better about themselves. 

Throughout the programme, surviving members Dave Grohl and Krist Novoselic reflected fondly upon that period just before they became superstars: when they could still play impromptu acoustic sets in Edinburgh pubs. It was all rather sad and sweet.

Last Man Standing: Suge Knight and the Murders of Biggie and Tupac – Sunday 19th September, BBC Two

Presumably quite by accident, BBC Two continued its weekend theme of ‘90s pop tragedies with Nick Broomfield’s absorbing sequel to his 2002 film Biggie & Tupac

Suge Knight, the co-founder of Death Row records, has always been a chief suspect in the murders of rap stars Biggie Smalls and Tupac Shakur. He’s currently serving time for manslaughter, hence why Broomfield felt that his associates would be more willing to talk about him. And they were, to a cautious extent. Knight, a sadistic gangster, still has people on the outside. 

Broomfield’s main point was this: the LAPD is massively corrupt, they can’t be trusted. And Knight is an awful man. A sordid, angering saga.