Showing posts with label Sally Rooney. Show all posts
Showing posts with label Sally Rooney. Show all posts

Saturday, 21 May 2022

LUCY WORSLEY INVESTIGATES + TROY DEENEY: WHERE'S MY HISTORY? + INSIDE NO. 9

This article was originally published in The Courier on 21st May 2022. 

NEXT WEEK’S TV

Lucy Worsley Investigates – Tuesday, BBC Two, 9pm

Worsley’s latest series is a characteristically vivid and engaging odyssey in which she challenges the received wisdom surrounding “some of the most dramatic and brutal chapters in British history.” 

Episode one finds her poring over ancient accounts and recently unearthed clues about Britain’s 17th century witch hunts. It’s an awfully bleak yet fascinating subject. Worsley breathes life into women who were tragically persecuted during an epoch poisoned by violently deranged religious fervour.  

Worsley’s essays are sometimes tinged with whimsical humour, a little bit of light to offset the shade, but she’s on deadly serious form here. There is no room for levity. It’s a disturbing cold case investigated with commendable care and rigour.

Troy Deeney: Where’s My History? – Monday, Channel 4, 10pm

The professional footballer Troy Deeney continues his dedicated stand against structural racism in this informative documentary. 

Education is key, that’s Deeney’s driving point. A more expansive account of black history needs to be embedded within the UK’s school curriculum. British children have to learn about a whole range of ethnic minority role models. A few well-meaning lessons devoted to the likes of Martin Luther King and Rosa Parks aren’t enough. That just won’t do. 

“Learning about the positive contributions black people have made to society will not only empower black pupils,” says Deeney, “but will help stamp out the vile racist abuse me, my family and people of colour as a whole are subjected to.”

Bake Off: The Professionals – Tuesday, Channel 4, 8pm

I don’t understand the appeal of these cake-based programmes, but to each their own. Enjoy what you like, just as long as no one gets hurt in the process. If this column has a message, it’s probably that. 

Anyway. You know the formulaic score: various patisserie artisans compete for Bake Off glory. In round one they have just three hours to create 36 strawberry frasiers. As soon as that challenge was announced I immediately envisioned several full-sized glazed effigies of the actor Kelsey Grammer. That’s because I’m inherently facile. The results don’t live up to my stupid imaginings. Life is a constant disappointment. 

Genuine plus point: the delightful Stacey Solomon is your new co-host.

State of the Union – Tuesday, BBC Two, 10pm

Series two of this anthology drama, which is written by Nick Hornby and directed by Stephen Frears, unfolds as before in snappy ten minute exchanges between a troubled married couple.

Ellen (Patricia Clarkson) and Scott (Brendan Gleeson) meet in a hipster New York coffee shop. It’s a fraught encounter. 

Clarkson and Gleeson are both fine actors, but Hornby’s screenplay is terribly mannered. His writing draws attention to itself in a self-congratulatory way. It makes the dialogue of that insufferable blowhard Aaron Sorkin sound like Shane Meadows at his rawest. Ellen and Scott never come across as real people, they’re just mouthpieces for Hornby’s sub-screwball waffle.

It’s a long ten minutes. Oh well. Other television programmes are available.

Inside No. 9 – Wednesday, BBC Two, 10pm

The best episode of this particular series thus far, ‘A Random Act of Kindness’ is a sad domestic drama that veers off in entirely unexpected directions. 

The excellent Jessica Hynes stars as Helen, a tired, lonely, middle-aged woman trapped in an unhappy relationship with her angry teenage son, Zach. One day, a small bird crashes into Zach’s bedroom window. 

The injured animal is rescued by Bob (Steve Pemberton), a kindly passing stranger with a peculiar linguistic quirk who gradually forms a friendship with Helen and Zach. Reece Shearsmith plays a significant supporting role, as do the laws of physics (that’ll make sense when you watch it). 

This is Inside No. 9 in primarily serious and poignant mode. It lingers.

Grayson’s Art Club: Queen’s Jubilee Special – Wednesday, Channel 4, 10pm

Now, you wouldn’t expect Grayson Perry to be much of a royalist. And you’d be right. But he’s fascinated by the monarchy and all the complex things it represents. The Queen in particular is an artist’s dream. Her image and the iconography that surrounds her can be used in all sorts of interesting ways. 

In this typically thoughtful edition of his Art Club, Perry and his wife Philippa invite talented amateur artists to create their own symbolic renderings of Her Majesty. “Whatever they might tell us about her,” says Perry, “might also tell us some revealing things about ourselves.” 

His celebrity guests are Harry Hill and Prue Leith, but as always the real stars are those creative members of the public.

PRU – Thursday, BBC Three, 10pm

This new sitcom follows a bunch of teenagers as they attempt to navigate their way through everyday life at a Pupil Referral Unit, otherwise known as a school for excluded kids. 

Series creators Alex Tenenbaum, Nathaniel Stevens and Teddy Nygh have created something here that’s clearly borne of research and experience. It’s a sympathetic piece of social commentary, albeit one that doesn’t draw self-conscious attention to its fundamentally serious themes. 

The young multicultural cast are entirely convincing, and the writing is quite sharp at times. Will you bust a gut laughing? Probably not. But PRU is a likeable show populated by intriguing characters, and the premise alone makes it worthy of consideration. It has some potential.

LAST WEEK’S TV

Conversations with Friends – Sunday 15th May, BBC Three

BBC Three’s adaptation of Sally Rooney’s Normal People was one of the best TV dramas of recent years. This adaptation of Rooney’s debut novel is brought to you by the same team. It will almost certainly repeat the success of their previous endeavour. 

The protagonist is Frances, a bright, shy, slightly awkward young woman who performs spoken-word poetry with her more extroverted best pal and ex-girlfriend Bobbi. Complications arise when the duo enter the orbit of a successful author. Frances falls for her handsome actor husband. Bobbi is attracted to his wife. 

As per Normal People, this is a perceptive and emotionally resonant piece of work in which everything rings true. It cuts deep.

Derry Girls – Tuesday 18th May and Wednesday 19th May 19, Channel 4


“There’s no answer to any of this, is there?” 

With that line spoken by Michelle, Lisa McGee pretty much summed up the underlying point of her justly lauded sitcom about Northern Irish teenage friends living through the final years of the Troubles. 

Her two-part farewell didn’t disappoint. Derry Girls was first and foremost a knockabout farce. The characters were daft and endearing. But McGee never lost sight of the sombre background details, even while she was making us laugh. She judged it all astutely. 

The final episode, which revolved around the signing of the Good Friday Agreement, brought her emotions to the fore in an entirely earned way. Sweet, silly and quietly profound; a perfect ending.

Saturday, 25 April 2020

NORMAL PEOPLE + KILLING EVE

A version of this article was originally published in The Courier on 25th April 2020.

NEXT WEEK’S TV

NORMAL PEOPLE
Monday, BBC One, 9pm


This adaptation of Sally Rooney’s critically acclaimed novel is a beautiful, tender drama about adolescent agony and self-discovery. It explores the complex relationship between Marianne and Connell as they navigate their way through high school and college. Marianne is an intelligent rebel who’s regarded by her classmates as a weirdo. Connell is highly intelligent too, but he’s sporty and popular. When they become romantically involved, Connell asks Marianne to keep it between themselves. She agrees, as he’s the only person in school who has ever shown any interest in her. Sensitively written, directed and performed, Normal People aches, quietly, with soulful honesty and insight. It touches a raw nerve. All twelve episodes will be available on iPlayer from Sunday.

PAUL HOLLYWOOD EATS JAPAN
Tuesday, Channel 4, 9pm


Seldom has a title promised so much while delivering so little. I was hoping for a show in which the azure-eyed dough botherer embarks on a Godzilla-style rampage through the streets of Tokyo, but instead it’s just a standard grub-munching travelogue in which he visits Japan for the first time in his life. He wants to find out why food plays such an important role in Japanese culture. His mission involves a crash-course in restaurant etiquette, a visit to a solo dining eatery and eating some bread from a can. Hollywood isn’t a worldly-wise man. He’s never heard of the word ‘sayonara’ before. But he’s keen to learn and his amiable show proves fairly informative.

FIRST DATES HOTEL
Thursday, Channel 4, 9pm


Pretty much every single programme on television right now reminds us of that time, not so long ago, when we could freely go outside and meet people. The arrival of a new series of First Dates Hotel feels especially cruel. Thanks, Channel 4, for reminding all the lonely people of their crushing loveless solitude. Fred Sirieix is a nice fella, but he comes across as a sadistic French taunter in this unfortunate context. Anyway, if you can ignore all of that, it’s sweet-natured business as usual. In a luxury hotel on the beauteous Amalfi Coast we meet a bohemian ‘60s counterculture survivor who’s been single for 35 years, a trumpet-playing Sean Connery lookalike and a lobster-obsessed hippie.

THE SHADOWS AT SIXTY
Friday, BBC Four, 9:30pm


The sultans of twang receive their due in this enjoyable profile. Surviving members Hank Marvin, Bruce Welch and Brian Bennett come across as humble souls who are justifiably proud of their achievements. They led the first wave of legit British rock and rollers. Marvin is a bona fide axe hero with a unique sound. Bennett is a stellar drummer. They’re influential, but they’ve never been cool. As Bennett bemoans: “I wanted to be a musician, and suddenly I’m being pushed through a mangle by Arthur Askey.” That’s not a metaphor. The Beatles appeared in panto too, but they quickly transcended that old-fashioned world of light entertainment. The Shads never did. The programme does a good job of reassessing their legacy.

LAST WEEK’S TV

KILLING EVE
Sunday 19th April, BBC One


A textbook example of a show that only needed to exist for one series, Killing Eve continues to run around in circles. It should’ve been an entertaining one and done deal, as it clearly had nowhere left to go after that. Jodie Comer and Sandra Oh are great, they just about hold the show together with their appealing screen presence, but no amount of stylish direction and OTT cartoon violence can disguise the fact that everything after series one has been utterly superfluous.

LIFE AND BIRTH
Tuesday 21st April, BBC One

This uplifting series has arrived with perfect timing. An observational documentary based in Birmingham Women’s Hospital, it follows several pregnant mothers-to-be as they undergo a life-changing experience. Warm insight into the everyday human condition ensued. As obvious as this may sound given our current situation, we must never ever take our NHS for granted.

ELLA: JUST ONE OF THOSE THINGS
Friday 24th April, BBC Four

Ella Fitzgerald was a jazz genius, a scatting cat par excellence. This elegant documentary traced her story. She rose above racism and poverty in the sense that she was an immensely talented black woman who conquered show business, but those wounds don’t automatically heal just because you’ve headlined the Albert Hall. BBC iPlayer, folks. Absorb and enjoy.